Two inseparable adolescent girls, Agnes and Fabienne, in
rural France in the 1950s decide to write a macabre book. They enlist the help of a man whose wife has
died recently in order to get the book published, but actually Fabienne is the
author, and Agnes is merely the scribe.
Agnes follows Fabienne’s every lead and seems to have no identity apart
from her relationship with Fabienne. In
their conversations, it is evident that Fabienne tells Agnes not only what to
do but what to think. However, when the
book is accepted for publication, Fabienne wants no credit whatsoever. In other words, this is plagiarism with
permission. Agnes goes to Paris to meet
with the publisher and eventually moves to England to attend a finishing school
for girls, where she becomes somewhat of a rebel in her own right. Death figures prominently in this book, as it
does in the book the girls write, but this is a coming-of-age story in which a
one-sided friendship dominates the plot.
Fabienne is not only the creative and somewhat sadistic half of this
pair; she is probably brighter than Agnes but has had to abandon formal
schooling in order to tend to her family’s farm animals. Agnes may not be that brilliant but does
prove to have a pretty fertile imagination herself, as she writes some stories
while the two girls are separated that are her work alone. As a result, I was never really sure if she
didn’t really deserve some, if not most, of the accolades she received for her
book. This novel wasn’t torturous to
read, but neither was it engrossing.
Agnes narrates the story as a married adult woman living in the U.S. and
reflecting on her friendship with Fabienne, as well as her experiences as a
celebrated child prodigy who is presumed to have written a book. The degree to which these experiences have shaped
her life is somewhat nebulous, and it is equally unclear whether Agnes outgrows
Fabienne during her time away, or vice versa.
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