Coleman Silk is a classics professor at a small
college. When he innocently refers to
some students that have never shown up for class as spooks, his remark is
interpreted by some as racist, as the students are black. Although he had no previous knowledge of the
students’ ethnicity, he eventually resigns from his post, further cementing the
appearance of guilt. The irony of his
plight is that Coleman is black himself, although he has managed to conceal
this fact from his wife, children, colleagues, and friends for decades. Near the end of the novel, his sister
contrasts his behavior, in which he has divorced himself totally from his
mother and siblings, with that of his brother, who has fought for civil rights. Perhaps Coleman has taken the easy way out,
in order to receive treatment equal to whites, but his whiteness is ultimately
his downfall. This aspect of the
storyline captivated me, but another aspect did not. Coleman enters into a sexual relationship
with Faunia, a woman half his age, who is a member of the janitorial staff at
the college. Her ex-husband is a PTSD
victim and is stalking her, putting Coleman in harm’s way as well. I just didn’t understand what Faunia’s real
purpose was in the novel, except to give Coleman something to live for after
the demise of his career. The novel is
set against the backdrop of Bill Clinton’s impeachment hearings, and Coleman’s
affair seems to mirror Clinton’s escapades--sort of. Overall, though, the storyline is unsettling,
making it a decent read, especially with Roth’s fabulous prose, except when the
author does get a little carried away with ruminations, slowing the pace down
to a crawl.
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