This novel takes place during the McCarthy era, and Ira
Ringold is a communist. He is also a
radio star married to an even bigger star.
His marriage is hampered by his wife’s adult daughter who rules the
roost. Still, he hangs in there, partly
because he fears that if he bails out of the marriage he will be blacklisted. His older brother Murray is a high school
teacher, and his student, Nathan Zuckerman, is the narrator. Nathan becomes sort of a protégé to both men,
and he becomes caught up in Ira’s vision for the common man. This is really Ira’s story, though, and his
personal situation with all the trappings of fame contrasts sharply with his
political leanings. Nathan, on the other
hand, has to choose between Ira’s influence and that of a college professor who
admonishes Nathan for mixing politics with art in his writing. The issue that struck me the most was Ira’s
complaint that communists in this country were being persecuted for what they
thought, while no one was being punished for the lynchings taking place in the
South. I found this book to be highly applicable
to today’s political divide, and Roth’s prose is always superb. At one point he describes a dilapidated
punching bag with supreme eloquence and humor.
That paragraph alone makes this book worth reading, and it has nothing
to do with communism or politics. All in
all, I liked this book better than American
Pastoral.
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