The race in question is the race to report the liberation of
Paris at the end of WWII. Jane, the
narrator, writes for the Nashville Banner,
and Liv is a talented Associated Press photographer. Female journalists were generally forbidden
from war zones at that time, but Liv is determined to capture shots from the
front. She persuades Jane to join her on
this dangerous gambit, and Fletcher, a British military photographer and friend
of Liv’s husband, takes them under his wing.
Unfortunately, his protection has its limits, and the girls find
themselves in trenches and dodging bullets, while existing on K-rations and
chocolate. Although this sounds like a
treacherous adventure, the action does not exactly leap off the page, and
neither do the characters. Liv is an
intrepid risk-taker, haunted by rumors of her husband’s infidelity back in the
States. Jane has a thing for Fletcher,
but he has eyes only for Liv. Jane
struggles with jealousy but never divulges enough of herself to show us someone
for whom Fletcher could forsake Liv or his absent fiancée. Jane also has a bit of a chip on her
shoulder, because she’s never known her father and her mother is a maid. She should stand even taller than her
affluent comrades, given how far she’s come, but instead she seems to defer to
Liv on almost every decision about their journey. She becomes both Liv’s and Fletcher’s
confidante while subordinating her own preferences. Jane respects and admires Liv and Fletcher,
but I never had the sense that they reciprocated.
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