Edward Monkford is a minimalist architect and is very picky
about the people who occupy his homes.
The book itself is pretty minimalist in that there are basically just
three other characters. Simon and his
girlfriend Emma move into One Folgate Place after Emma has been robbed at
gunpoint. In fact, the safety of the
home with all kinds of electronic controls is one of its most appealing
factors. Not so appealing is how
clutter-free Monkford expects the occupants to live. Simon and Emma’s story alternates with that
of Jane, who occupies the same house at a later time and who also has survived
a traumatic event—a stillborn child. The
storyline is really pretty straightforward, except that Emma and Jane both
become Edward’s lover and bear a striking resemblance to his deceased
wife. Consequently, I found that I had
to do a certain amount of mental resetting each time the narrator changed,
although we find that the two characters have less and less in common as the
story progresses. Monkford is too
obvious as a sinister presence throughout the novel, but Jane and Emma are full
of surprises. I also enjoyed the nifty
way in which the author gives us back-to-back chapters in which the two women
are having very similar experiences, particularly with Monkford. Jane has the benefit of knowing that Emma
preceded her in the house and as Monkford’s lover, but she doesn’t appear to be
any more savvy. If you don’t like the
characters, keep reading, because new revelations keep surfacing and changing
your perception of them. This is not the
first novel in which a character has probed into the life of the previous
occupant of her home, but it may be one of the more engaging ones.
No comments:
Post a Comment