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Wednesday, December 26, 2012
THE DOGS OF BABEL by Carolyn Parkhurst
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Tuesday, December 25, 2012
SKIPPING CHRISTMAS by John Grisham
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Wednesday, December 19, 2012
ZONE ONE by Colson Whitehead
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Tuesday, December 18, 2012
ELEVATING OVERMAN by Bruce Ferber
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Wednesday, December 12, 2012
THE FLIGHT OF GEMMA HARDY by Margot Livesey
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Wednesday, December 5, 2012
THE COVE by Ron Rash
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Wednesday, November 28, 2012
THE PARIS WIFE by Paula McLain
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Wednesday, November 21, 2012
ABRAHAM LINCOLN: VAMPIRE HUNTER by Seth Grahame-Smith
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Wednesday, November 14, 2012
MAKEDA by Randall Robinson
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Wednesday, November 7, 2012
THE ORPHAN MASTER'S SON by Adam Johnson
Generally, I think that people control their own fates, but
in a country as repressive as North Korea,
maybe not. Jun Do (John Doe?) grows up
in an orphanage and then finds himself buffeted from one bad situation to
another. Along the way, however, he manages
to spend a year in a school where he learns English and joins a delegation of
diplomatic imposters who travel to Texas. His exposure to American culture serves him
well, especially in the second half of the book. In a nation where a single comment can cause
someone to disappear, and women routinely find themselves with replacement
husbands chosen by the state, Jun Do takes the place of Commander Ga, who is
married to the beautiful actress Sun Moon.
North Korea's
Dear Leader, Kim Jong Il, is the scriptwriter for all of Sun Moon's films, and
he obviously scripts and directs the lives of all his citizens, who live in
constant fear and whose knowledge of the outside world is only as accurate as
the propaganda that blares from the loudspeakers in their homes. One of the main characters in the second half
is a prison interrogator who lives with his parents. His parents must be constantly vigilant,
aware that their son could turn them in for the slightest infraction; they
behave like robots in his presence, never divulging any personal opinions that
might be construed as seditious. The
best that the North Korean people can hope for is survival, but for what? Physical torture, famine, loss of loved
ones? The regime recognizes that there
is a strong sense of comradeship among the people that can be used as a
deterrent to defection. If someone
defects, his friends and family will suffer the consequences. Therefore, a defection has to be camouflaged
as death or kidnapping or whatever. It's
hard to conceive of such a society, but the author uses vivid imagery to draw
us into the horror. One section
describes some of the things the protagonist eats to keep from starving, and I
found that section even harder to stomach than the physical brutality.
Wednesday, October 31, 2012
THE UNCOUPLING by Meg Wolitzer
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Wednesday, October 24, 2012
CLOSE YOUR EYES by Amanda Eyre Ward
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Wednesday, October 17, 2012
FALLING TOGETHER by Marisa de los Santos
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Wednesday, October 10, 2012
ROBOPOCALPYSE by Daniel H. Wilson
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A war against robots is as ludicrous to me as time
travel. The Terminator had both, and for some reason that appealed to me,
but there's no Schwarzenegger equivalent here.
The juggernaut-robot in this novel is buried in Alaska
and has no personality. The humans seem
pretty vanilla also, and I had some difficulty keeping them straight. Each chapter is a video transcript, diary
entry, or other document from the war, and I wasn't wild about this format,
either, which reminds me of the Star Trek
captain's log voiceover. Three characters, however, did stand out. One is Cormac Wallace, who has assembled all
these snippets and ultimately has an argument with his brother that bears
consideration: How much like the
machines do we have to become in order to survive? In other words, do we have to sacrifice our
humanity? Another key character is
Mathilda, a child whose eyes the machines have replaced so that she can see into
the machines themselves. This experiment
seems ill-advised on the part of the machines, since she uses her power against
them. My favorite, though, is a Japanese
man whose "wife" is a robot.
When she turns on him during the robot uprising, he has to take her
offline and then misses her terribly. I
get that. I also like the fact that the
humans are not warring with each other and are united in their efforts against
a common foe. Why are the machines
waging war? Here's my favorite line in
the book: "It is not enough to live
together in peace with one race on its knees." Doesn't that succinctly describe the cause of
most of history's rebellions?
Wednesday, October 3, 2012
THE LANGUAGE OF FLOWERS by Vanessa Diffenbaugh
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After bouncing around among assorted unpleasant foster homes
since infancy, Victoria Jones is now being thrust out into the world
("emancipated") on her 18th birthday. Victoria
is an angry young woman who flinches at being touched and who believes that she
is unable to sustain any sort of bond with another person. We learn about Victoria's
past through alternating chapters that reflect mainly on the year she spent
with Elizabeth, a vintner who taught Victoria
the language of flowers. Elizabeth
was saintly in her forgiveness of 10-year-old Victoria's
many transgressions, which were not slip-ups but intentional acts of
meanness. Victoria
outdid herself in the malice that caused her to leave Elizabeth's
care, and now, 8 years later, she strikes up a friendship of sorts with Elizabeth's
nephew, Grant, who grows flowers to sell to florists like Renata. Elizabeth's
knowledge of flowers and the emotions they are supposed to evoke (jealousy,
love, regret, etc.) have landed her some occasional work for Renata. As she struggles to limit her emotional
attachments, Victoria encounters
a slew of encouraging and caring people, including Renata, who help guide her
through a transition to a woman who can thrive in the real world. This smattering of friends and mentors seemed
a little unlikely, and the storyline is a little too typical for my
tastes. I found Elizabeth's
unconditional love of Victoria a
bit unbelievable, too, but the author has more experience with foster children
than I do, and I'm sure she has the ability to tolerate misbehavior more
patiently than I ever could. Despite
these minor drawbacks, the novel is charming.
The most obvious consequence of having read it is that now I'll want to
consult a flower dictionary before sending anyone a floral arrangement.
Wednesday, September 26, 2012
THE LEFTOVERS by Tom Perrotta
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Wednesday, September 19, 2012
TAFT by Ann Patchett
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Wednesday, September 12, 2012
LINCOLN by Gore Vidal
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Wednesday, September 5, 2012
BELONG TO ME by Marisa de los Santos
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Wednesday, August 29, 2012
THE DESCENDANTS by Kaui Hart Hemmings
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Wednesday, August 22, 2012
THE REVISIONISTS by Thomas Mullen
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Wednesday, August 15, 2012
THE FIFTH WITNESS by Michael Connelly
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Wednesday, August 8, 2012
SILVER SPARROW by Tayari Jones
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Wednesday, August 1, 2012
THE HYPNOTIST by Lars Kepler
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Wednesday, July 25, 2012
PLEASE LOOK AFTER MOM by Kyung-Sook Shin
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Wednesday, July 18, 2012
THE WOODCUTTER by Reginald Hill
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Wednesday, July 11, 2012
RULES OF CIVILITY by Amor Towles
We know from the beginning that
Katey and Tinker will not end up together, because she is with her husband Val
when they come across some photos of Tinker in an exhibition at the Museum
of Modern Art. In the 1938 photo, Tinker is well-dressed and
dapper, but in the 1939 photo, although his demeanor shows contentment, his
clothes are shabby. Most of the novel is
Katey's reflection on the year 1938 and how Tinker went from riches to rags. The author makes a good case for quitting
your job the day after you're promoted.
Of course, being lead secretary in the secretarial pool at a Manhattan
law firm is exactly where Katey does not want to languish. She has a nimble mind and is well-read,
despite her working class upbringing.
Her roots don't hold her back, though, as she rolls the dice and lands a
job with Gotham,
a new magazine being launched by the publishers of Condé Nast. In the meantime,
she and her brazen friend Eve meet Tinker, whom both women have a thing
for. Then an automobile accident reduces
the threesome to an unstable couple, as Tinker applies the "you break it;
you buy it" slogan to his newfound devotion to Eve, who is seriously
injured in the accident. Katey is now
the odd woman out, but she's better company than Eve and creates other, more fruitful
liaisons. When Eve tires of being
Tinker's albatross, Katey and Tinker reconnect and embark on a tentative course
to togetherdom, until a sudden revelation shatters Katey's respect for
Tinker. All the clues should have made
Tinker's flaws more apparent, but love has a way of allowing us to see only
what we want to see. I so enjoyed going
back in time to spend a few delicious hours with these New
York denizens and seeing the city from their
perspective.
Wednesday, July 4, 2012
DREAMS OF JOY by Lisa See
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Monday, July 2, 2012
SHANGHAI GIRLS by Lisa See
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