The only witness to the death of Paul Iverson's wife, Lexy,
is their dog, Lorelei. Did Lexy fall
from the tall apple tree or did she jump?
Her death is ruled an accident, but, if she fell, why was she up there
in the first place? Plus, just before
her death, Lexy reorganized the books in their library and fed Lorelei a steak;
both acts were previously unheard of. Paul
wants answers and hopes that Lorelei can somehow provide them. He investigates the possibility of canine
speech and becomes the laughingstock of his colleagues at the university where
he teaches. Meanwhile, his flashbacks to
his week-long first date with Lexy and her occasional outbursts of anger
provide us with a portrait of an imaginative but troubled young woman. I kept
asking myself why neither Paul nor Lexy ever mentioned psychotherapy, but I
guess he was in denial, and she was too embarrassed. Also, how could Lexy possibly earn a living
making papier-maché masks? Oh,
well. Let's not fret the details. At least Paul's obsession with dog training
abates a bit when he finds that Lexy consulted a TV fortune teller just before
her death. This discovery gives him a
different mission: to find out the
details of that conversation. Or perhaps
he can unlock the mystery by reading Lexy's dream journal, or by figuring out
what the new book arrangement means. The
various clues fuel Paul's quest, but I was never quite sure if grief drove his pursuit
of the truth or if he just wanted closure.
I certainly wanted closure myself, and the author provided it in a very
satisfying ending.
Wednesday, December 26, 2012
Tuesday, December 25, 2012
SKIPPING CHRISTMAS by John Grisham
This has got to be the worst John Grisham book ever. It wasn't funny or cute or entertaining in
any way. You know the drill: Nora and Luther Krank (!) have decided not to
celebrate Christmas because their delightful daughter Blair will be in Peru
with the Peace Corps. They're going to
spend the money on a Caribbean cruise instead, departing
Christmas Day. Their biggest faux pas in
this endeavor, at least as far as their neighbors are concerned, is electing
not to install their 8-foot Frosty on the roof to match all the other houses on
their street. They even refuse to make
seasonal charitable donations, and their promises to donate even more for other
causes the following year are scorned by the solicitors. This is supposed to be satirical, I think, as
Grisham cites more and more ways in which Christmas has become an expensive and
time-consuming chore for many of us. He
fails, however, to really get our attention, not really taking a stand as he also
points out the upside of family and fellowship during the holidays. Was this book written for Hollywood?
Wednesday, December 19, 2012
ZONE ONE by Colson Whitehead
Known throughout the novel as Mark Spitz, our protagonist
has exemplified mediocrity throughout his life but has found that he's very
good at staying alive amidst plague-induced zombies, known as skels
(skeletons). (The author takes his time
explaining various vernacular terms, as well as the origin of Mark Spitz's
assumed name.) About 1% of those
infected are not flesh eaters but instead are immobile stragglers—stopped in
their tracks at their final living task or pleasure. Mark Spitz and his fellow Omega team members
are sweepers, shooting the heads off of stragglers and skels alike in Zone
One—a cordoned off section of Manhattan.
The nation's capital has been
relocated to Buffalo, but
disheartening rumors filter down to the survivors, many of whom remain hopeful
that some semblance of civilization will return, despite overwhelming evidence
to the contrary. Billed as a literary genre novel, this didn't work for me as
literature or as a zombie thriller. I
found the plot, if there is one, difficult to follow, partly because Mark Spitz
frequently reflects on past events that I could rarely distinguish from current
events. Possibly, too, my lack of
familiarity with New York was a
hindrance. If this is an homage to New York,
it's a strange one, as the survival of humanity becomes increasingly in doubt
as the novel progresses. The book seemed
a little cynical to me, depicting the hopeful as foolhardy, except in the case
of Mark Spitz, who has found his calling in his struggle to beat the odds.
Tuesday, December 18, 2012
ELEVATING OVERMAN by Bruce Ferber
Ira Overman is middle-aged and mediocre in every way, until
he strikes a bargain with a Lasik surgeon.
The result is improved eyesight, plus an unexpected bonus: he seems to have acquired the ability to
manipulate traffic and attract beautiful women.
As he experiments with his newfound superpowers, he gains a whole new
perspective on what he can accomplish, even with just his normal human
faculties. He reconnects with his
children, and seeks out a woman whose gang rape he unwillingly participated in
while in high school. Then things start
to get out of hand. His friend Jake goes
a little haywire and declares himself Ira's superhero sidekick. Before you know it, Ira has attracted a
couple of other groupies, who encourage him to attempt time travel and teleporting,
using comic books as his guide. Bruce
Ferber is a Hollywood screenwriter, and his book is
supposed to be funny. However, I found
it too outlandish and crass. I like the
metaphor of having one's eyes opened to life's possibilities, but the cartoonish
supporting characters range from a porn queen who has a rather unusual talent,
to a swami with a taste for exotic automobiles.
Plus, a horrific incident like a gang rape, amidst all of this nonsense,
just doesn't feel right. This book
actually might have worked better as a comic book, with something less scarring
as the basis for Ira's guilt.
Wednesday, December 12, 2012
THE FLIGHT OF GEMMA HARDY by Margot Livesey
Gemma Hardy, a hardy Scottish lass, makes a habit of
fleeing. First, she escapes a
Cinderella-like existence (the wicked stepmother = Gemma's widowed aunt), but
there's no fairy godmother here. She
lands a scholarship of sorts to Claypoole, where the "working girls"
are little more than slaves. This gig
ends when the school falls on hard financial times, and Gemma responds to an ad
for an au pair in the Orkneys. Despite
the remoteness of her new post, she bonds with her ill-tempered charge, Nell,
and with her employer, Hugh Sinclair, who puts in rare appearances. This latter bond develops into something
more, but Hugh is 41, and Gemma is 18.
More importantly, Hugh has some unsavory secrets that may be more of a
hindrance to their romance than the age difference. Gemma builds quite a history of regrettable
deeds herself, with at least a couple more "flights" still to
come. This is one of those books that I
looked forward to opening every night, so that I could share Gemma's next
adventure. I've read that this book is a
retelling of Jane Eyre, but I saw
Pippi Longstocking, one of Gemma's favorite characters, as her alter-ego—a
little too audacious for her own good. Part
of what motivates Gemma is that she suspects that she has relatives in Iceland
(Pippi is Swedish), and she yearns for some sort of family connection. Another motivator is the need to right a
wrong that she inadvertently caused.
Although she has suffered more than most in her short lifetime, Gemma is
not the savvy wayfarer that the reader might expect. Her naivete is at times her demise and at
times her salvation.
Wednesday, December 5, 2012
THE COVE by Ron Rash
The title suggests isolation, and the main
characters are indeed outsiders. The
setting is a small town in North
Carolina near
the conclusion of World War I. Laurel lives in the dank and dreary cove with her brother
Hank, who lost an arm in combat. The townspeople
shun her because of a birthmark that they believe marks her as a witch. She has almost no contact with anyone except
Hank and their helpful neighbor Slidell. Then she
happens upon a stranger (Walter) who, unbeknownst to her is an escapee from a
German internment camp. He doesn't speak
but plays a flute beautifully, bringing some much needed joy into Laurel's life. She
hopes to persuade him to stay on the farm and help out, rather than leave for New York to fulfill his musical ambitions. His imminent departure and Hank's upcoming
marriage will leave Lauren more alone than ever. There's another lonely character to consider,
however. That's Chauncey, the pampered
son of a banker, who heads up the local recruitment office. Many of the injured veterans look
disdainfully upon him for having secured such a cushy assignment, and some of
the locals even blame him for their wartime casualties. On the surface he seems pretty harmless, but
he's looking for an opportunity to prove himself worthy of his neighbors'
respect and he's a powder keg waiting to explode. I have a couple of beefs with this
novel. For one thing, nothing much
happens until the end, and then everything screeches to a rather abrupt halt. Secondly, the three main characters—Laurel, Walter,
and Chauncey—are too one-dimensional.
Laurel and Walter have no any glaring flaws, and Chauncey has no
redeeming qualities. Hank is a little
more multi-faceted, adapting to his disability, fighting the battles that his
sister cannot, but at the same time looking out for his own well-being. I think his story would have made a better
center.
Wednesday, November 28, 2012
THE PARIS WIFE by Paula McLain
The wife in question is Hadley Richardson, Hemingway's first
wife. Neither Hadley nor Ernest is the
least bit loveable in this engrossing piece of historical fiction. She's spineless and careless, and he's
self-centered and insulting--discarding his mentors, one by one. His relationship with Hadley is another
casualty, as he flaunts his affair with her very good friend, Pauline, destined
to be ex-wife #2. All of this strife and
torment makes for a pretty good story, even with no one to root for. I kept hoping that the clingy Hadley would
rise up and see the light, and obviously she does eventually step aside so that
Hemingway can marry Pauline, although we can see from the outset how doomed
that union will be. Hadley narrates the
majority of the chapters, but a few give Hemingway's side of the story,
especially regarding a pivotal event that spells the beginning of the end. I enjoyed all the anecdotes about other
famous writers in Paris at the
time, particularly Scott Fitzgerald, who is completely enchanted by his weird
wife Zelda. The downfall of Hadley and
Ernest's marriage is somewhat precipitated by the flagrant disregard for
marriage vows that so many of their other friends exhibit. The accolades for In Our Time and The Sun Also
Rises feed Hemingway's ego, so that he feels entitled to a mistress himself
and exhibits an appalling callousness to the pain he inflicts on his tortured
wife. In many ways, though, she's not
exactly a shrinking violet, sharing Hemingway's admiration of the violent
bullfights and matching him almost drink for drink. I felt that their marriage might have lasted
if she could have shed the chip on her shoulder that she felt for not being an
artist herself. On the other hand, she
was probably better off without him in the long run. Did regret play a role in his suicide, or was
he just another tormented genius? I
can't help believing that at some point he realized the error of his ways.
Wednesday, November 21, 2012
ABRAHAM LINCOLN: VAMPIRE HUNTER by Seth Grahame-Smith
Somehow I expected this to be more campy or
cheeky or funny or something, but the book seemed far too serious for its
subject matter, and by that I mean the subject of vampires. I think the author walked a fine line here,
trying not to trivialize slavery or the Civil War or Lincoln's assassination, while at the same time introducing a
potentially comic supernatural element into Lincoln's life. For me, the blend of the historical setting
with vampire slaying just doesn't work, especially since the author attributes
just about every death—Lincoln's mother, girlfriend, son, and countless others—to
vampires. Of course, the real baddies,
like John Wilkes Booth and a fairly large contingent of slave owners, are, in
fact, vampires. Lincoln's cohort in his quest to stamp out the vampire
population in the U.S. is "good" vampire Henry Sturgis (like
Edward in the Twilight series?), who
tells Lincoln where to find various "bad" vampires for Lincoln to destroy with his trusty axe. Seward, Lincoln's adversary for the presidential nomination and then
later his Secretary of State, has also killed a few vampires. He and Lincoln then have the daunting task of
convincing the rest of the cabinet that vampires will take over the country if
slavery continues. There are some interesting
historical nuggets here, such as the fact that Lincoln's bodyguard had abandoned his post on that fateful
night at Ford's Theatre. However, aside
from the vampires and the points of history that are common knowledge, I
couldn't always separate fact from fiction.
Perhaps it was the author's intention to blur the line just enough to
make the journals and correspondence contained in the novel seem legit, in a
weird, alternate-universe kind of way.
Wednesday, November 14, 2012
MAKEDA by Randall Robinson
I almost stopped reading this book for two reasons. For one, the writing is not to my liking at
all. The third page has a sentence that
begins, "The girls were all but surpassingly proud." What the heck does that mean? Secondly, the book drags for at least 100
pages, as we get to know Gray, an African-American growing up in Richmond
in the 50s, just as the Civil Rights movement is starting to gain some
momentum. Gray has a giant chip on his
shoulder, and too much of the book dwells on the causes of his poor self-esteem. He is a second-class citizen due to
segregation and racial prejudice, but also has been made to feel inferior to
his older brother Gordon. His parents,
particularly his father, have pinned their hopes on Gordon, who reeks of
intellectual and physical prowess, but Gray's blind grandmother nurtures a
spiritual kinship with Gray. While in
graduate school, Gray falls in love with Jeanne, and the two of them make plans
to travel to Africa to research and validate his grandmother's dreams, which
are really memories of a previous life hundreds of years ago. I've always enjoyed tales of reincarnation,
but this book ultimately offers a lot more than that. The author succeeds, I believe, in his
attempt to correct some misconceptions about history. He points out that African civilizations
during the Middle Ages were perhaps more advanced than those in Europe,
especially with regard to science, government, architecture, and human
relations. I found this aspect of the
novel very enlightening, and the author contrives a short-term rift between
Jeanne and Gray that forces Gray to do some growing up. He harbors a huge burden of guilt over the
fate of his brother, and we readers are left in the dark as well, until the end
of the novel. I was disappointed when I
did finally find out what happened to Gordon, not only because the incident was
so completely predictable but also because it seemed out of line with the main
themes of the novel.
Wednesday, November 7, 2012
THE ORPHAN MASTER'S SON by Adam Johnson
Generally, I think that people control their own fates, but
in a country as repressive as North Korea,
maybe not. Jun Do (John Doe?) grows up
in an orphanage and then finds himself buffeted from one bad situation to
another. Along the way, however, he manages
to spend a year in a school where he learns English and joins a delegation of
diplomatic imposters who travel to Texas. His exposure to American culture serves him
well, especially in the second half of the book. In a nation where a single comment can cause
someone to disappear, and women routinely find themselves with replacement
husbands chosen by the state, Jun Do takes the place of Commander Ga, who is
married to the beautiful actress Sun Moon.
North Korea's
Dear Leader, Kim Jong Il, is the scriptwriter for all of Sun Moon's films, and
he obviously scripts and directs the lives of all his citizens, who live in
constant fear and whose knowledge of the outside world is only as accurate as
the propaganda that blares from the loudspeakers in their homes. One of the main characters in the second half
is a prison interrogator who lives with his parents. His parents must be constantly vigilant,
aware that their son could turn them in for the slightest infraction; they
behave like robots in his presence, never divulging any personal opinions that
might be construed as seditious. The
best that the North Korean people can hope for is survival, but for what? Physical torture, famine, loss of loved
ones? The regime recognizes that there
is a strong sense of comradeship among the people that can be used as a
deterrent to defection. If someone
defects, his friends and family will suffer the consequences. Therefore, a defection has to be camouflaged
as death or kidnapping or whatever. It's
hard to conceive of such a society, but the author uses vivid imagery to draw
us into the horror. One section
describes some of the things the protagonist eats to keep from starving, and I
found that section even harder to stomach than the physical brutality.
Wednesday, October 31, 2012
THE UNCOUPLING by Meg Wolitzer
Lysistrata is an
ancient Greek play in which the female lead organizes a sex strike against the
Peloponnesian War. The new drama teacher
in Stella Plains, NJ,
has chosen this for the high school's annual theatrical production. Subsequently, a chilly breeze sweeps through
the lives of various women in town, causing them to have an aversion to
sex. I can handle a bit of the
supernatural in a book, but I can't remember the last time I read a novel that
had an enchantment like this, and it seemed a little fairy-tale-ish. Dory and Robby Lang are married English
teachers, and Dory's sudden lack of interest in sex threatens to unravel their
marriage. Dory's single friend Leanne
abruptly ends her three romantic liaisons, including one with the married
school principal, after his wife suddenly bounces back from chronic fatigue
syndrome. This schism seems to be a good
thing, but most are not. Most poignant
is the break-up of Dory and Robby Lang's daughter, Willa, with the drama
teacher's son, Eli. The drama teacher herself
is somewhat immune to the mystical spell that has swept the community, since
her husband lives in Michigan, so
that sex is a rarity anyway. Since most
couples don't discuss their sex lives, the denizens of this community don't
realize that they are part of a wave of abstinence. Several reviewers have mentioned the humor in
this novel, but mostly I didn't get it.
One woman's husband comments to his wife, as she is looking in the
mirror, that she has let herself go. Is
this supposed to be funny? I did enjoy
one inside joke of sorts, in which Robby makes a sarcastic comment about a
grammatical mistake his daughter makes.
I like that the author doesn't point out what the mistake is, nor does
she have Robby correct it, so that the grammatically challenged will just say
"Huh?" and read on. The rest
of us can smirk along with the author.
Wednesday, October 24, 2012
CLOSE YOUR EYES by Amanda Eyre Ward
Alex and Lauren are siblings whose father is in
prison for killing their mother when they were children. Alex has steadfastly believed in his father's
innocence, while Lauren is resigned to the fact that their father is a
murderer. Lauren's boyfriend Gerry is
ready to marry, but Lauren has commitment issues because of her family history. Now Alex is on his way to Iraq for Doctors Without Borders, and Lauren has become
unglued. When Alex goes missing after
an explosion, she becomes even more unstable but makes a feeble effort to take
up where Alex left off in his quest to exonerate their father. Lauren discovers that a jade earring, traced
to a woman name Pauline Hall, was found at the scene, but there were no signs
of forced entry, and no one else was there.
Then the narrative changes to that of Sylvia Hall, Pauline's daughter,
fathered by Alex and Lauren's father.
Sylvia knows about her two half siblings, but Alex and Lauren are
totally unaware of Sylvia's existence.
The book is mainly about the two women's struggles to come to terms with
their pasts. Lauren, a real estate agent
in Austin, certainly has a shot at overcoming her anxieties,
especially with support from Gerry.
Meanwhile, Sylvia is unwed and pregnant and hoping to reconnect with her
childhood pal, Victoria, whose life is now a total shambles. Lauren and Sylvia, though, have more in
common than just the same biological father.
Both grew up without him, and both lose their mothers at a young age as
well. It doesn't take a Sherlock Holmes
to figure this one out, but how the author goes about unveiling the truth is
the real draw here. As they say, the
truth can set you free, and it certainly frees the struggling characters in
this book.
Wednesday, October 17, 2012
FALLING TOGETHER by Marisa de los Santos
Pen (short for Penelope), Cat, and Will were
inseparable in college. Now it's time for their college reunion (10
years?), and the three have not seen one another in six years. Pen has a
5-year-old daughter, Augusta, by her on-again off-again married boyfriend and
has no intention of going to the reunion, until she receives an email from Cat,
imploring her to attend. Will has received the exact same email, but
Jason, Cat's husband and the real author of the emails, approaches Will and Pen
at the reunion with the news that Cat has disappeared. Now we have a
different threesome, with Will, Pen, and Jason becoming a team as they head to
the Philippines, the home of Cat's deceased father, in pursuit of Cat, who may
not want to be found. Jason is a big, annoying lunk, who's not sharing
everything he knows, but he does really love Cat, although the extent to which
she returns this love is in serious doubt, given that she's left him, without
any explanation. Will apparently has been carrying a torch for Pen since
college, and the anticipation of seeing this relationship finally blossom was
what kept me interested. What happened to Cat is the big mystery, I
guess, but, since she's absent through most of the book, I didn't feel that
vested in her story. Marrying Jason in the first place seemed
particularly unwise, but more importantly, Cat is an epileptic who takes her
meds sporadically, at best. Her seizures mark two pivotal events in the
plot, and I guess we wouldn't have much of a novel otherwise. All the
characters have good intentions, with malice toward none, but the author makes
a somewhat lame attempt at injecting some conflict, in the form of a spat at
the end between Will and Pen, which amounted to nothing more than a serious
case of over-reaction on Pen's part.
Wednesday, October 10, 2012
ROBOPOCALPYSE by Daniel H. Wilson
A war against robots is as ludicrous to me as time
travel. The Terminator had both, and for some reason that appealed to me,
but there's no Schwarzenegger equivalent here.
The juggernaut-robot in this novel is buried in Alaska
and has no personality. The humans seem
pretty vanilla also, and I had some difficulty keeping them straight. Each chapter is a video transcript, diary
entry, or other document from the war, and I wasn't wild about this format,
either, which reminds me of the Star Trek
captain's log voiceover. Three characters, however, did stand out. One is Cormac Wallace, who has assembled all
these snippets and ultimately has an argument with his brother that bears
consideration: How much like the
machines do we have to become in order to survive? In other words, do we have to sacrifice our
humanity? Another key character is
Mathilda, a child whose eyes the machines have replaced so that she can see into
the machines themselves. This experiment
seems ill-advised on the part of the machines, since she uses her power against
them. My favorite, though, is a Japanese
man whose "wife" is a robot.
When she turns on him during the robot uprising, he has to take her
offline and then misses her terribly. I
get that. I also like the fact that the
humans are not warring with each other and are united in their efforts against
a common foe. Why are the machines
waging war? Here's my favorite line in
the book: "It is not enough to live
together in peace with one race on its knees." Doesn't that succinctly describe the cause of
most of history's rebellions?
Wednesday, October 3, 2012
THE LANGUAGE OF FLOWERS by Vanessa Diffenbaugh
After bouncing around among assorted unpleasant foster homes
since infancy, Victoria Jones is now being thrust out into the world
("emancipated") on her 18th birthday. Victoria
is an angry young woman who flinches at being touched and who believes that she
is unable to sustain any sort of bond with another person. We learn about Victoria's
past through alternating chapters that reflect mainly on the year she spent
with Elizabeth, a vintner who taught Victoria
the language of flowers. Elizabeth
was saintly in her forgiveness of 10-year-old Victoria's
many transgressions, which were not slip-ups but intentional acts of
meanness. Victoria
outdid herself in the malice that caused her to leave Elizabeth's
care, and now, 8 years later, she strikes up a friendship of sorts with Elizabeth's
nephew, Grant, who grows flowers to sell to florists like Renata. Elizabeth's
knowledge of flowers and the emotions they are supposed to evoke (jealousy,
love, regret, etc.) have landed her some occasional work for Renata. As she struggles to limit her emotional
attachments, Victoria encounters
a slew of encouraging and caring people, including Renata, who help guide her
through a transition to a woman who can thrive in the real world. This smattering of friends and mentors seemed
a little unlikely, and the storyline is a little too typical for my
tastes. I found Elizabeth's
unconditional love of Victoria a
bit unbelievable, too, but the author has more experience with foster children
than I do, and I'm sure she has the ability to tolerate misbehavior more
patiently than I ever could. Despite
these minor drawbacks, the novel is charming.
The most obvious consequence of having read it is that now I'll want to
consult a flower dictionary before sending anyone a floral arrangement.
Wednesday, September 26, 2012
THE LEFTOVERS by Tom Perrotta
A number of persons, not necessarily all virtuous, have been
scooped up into heaven by The Rapture.
At least, that's what everyone assumes when family and friends suddenly just
evaporate into thin air on Oct. 14. The
town of Mapleton has its own list
of unlikely vanishers, including Nora's husband Doug, who was having an affair
with a much younger woman. In fact,
Nora's kids vaporized also, and she has suffered probably the biggest loss of
loved ones in Mapleton. However, Nora's
not the only one having trouble coping.
Laurie, whose family has remained intact, becomes so unmoored by the
event that she abandons her life to join the Guilty Remnant, a bizarre cult
that requires all members to smoke, stalk their former neighbors, relinquish
all tokens of their previous lives, and make martyrs of themselves or their
fellow members. In fact, most everyone
has lost their rudder, not knowing when/if they, "the leftovers,"
will disappear as well. Rather than
relish and enjoy each day as a gift, many of Mapleton's residents have
basically given up or joined some fanatical group in order to find some sort of
safe harbor. Laurie's son, Tom, has
become a follower of Holy Wayne, who has a string of teenage wives, while Laurie's
teenage daughter, Jill, has veered off course, under the not-so-watchful eye of
her father, Kevin, mayor of Mapleton.
Kevin and the barely functioning Nora strike up a tentative
relationship, but really everyone is avoiding committed relationships, given
that one or both parties could suddenly go poof. Life is uncertain anyway, though, and maybe
that's Perrotta's point. Enjoy what
you've got while you've got it; attitudes of gloom and doom just make matters
worse. I loved the ending, which
provides a glimmer of hope that not everyone will go off the deep end.
Wednesday, September 19, 2012
TAFT by Ann Patchett
John Nickel manages a bar on Beale Street in Memphis and has a thing for his new waitress, Fay Taft. There are two big problems: 1) She's a teenager, and 2) She's white and he's black. The race difference wouldn't seem to be that
big a deal these days, even in Memphis (my hometown).
However, Fay, her troubled brother Carl, and Fay's mother are living
with old-money relatives, and John knows that they would take a dim view of an
older black boyfriend who runs a bar.
These various issues seem only to intensify the attraction between the
two, but in some ways John is also father figure to both Fay and Carl, whose
father has recently died, leaving the family destitute and forced to move from the
hills of East Tennessee to live with the aforementioned relatives. I couldn't quite grasp what it is about Fay
and Carl that motivates John to protect them in ways that are not healthy for
any of the parties involved. One
possible clue is the fact that John himself is father to 9-year-old Franklin,
who now lives in Miami with his mother, Marion, whom John never
married. This is a sticking point with
both parties, as she was ready to marry when he wasn't and vice versa. Now he has developed a friendly relationship
with her parents, still in Memphis, and a possibly more-than-friendly relationship with
her sister Ruth. Add to these Wallace,
Cyndi, and Rose, who all work in the bar, and you have a nice ensemble of
characters to keep the pot boiling. The
author, from Nashville herself, nails the dichotomy, or trichotomy, really,
that is the state of Tennessee, with the mountain people at one end and the delta
people at the other, and the less extreme valley people in the middle. I've read that the author thinks that the
title of this novel hurts its market potential, and I think she's right about
that. It's a shame this novel hasn't
come to the attention of more readers.
Wednesday, September 12, 2012
LINCOLN by Gore Vidal
Gore Vidal just passed away, and I realized that I had never
read one of his books. I had a copy of Lincoln and
decided that now was the time to tackle it.
Historical fiction has the advantage (or disadvantage, in some cases) of
a known outcome. We know who's going to
win the Civil War, but getting there seems almost impossible, given the Union's
paucity of capable generals, the infighting among political leaders competing
for Lincoln's job, the leakage of military plans to the Confederacy, and the bogus
intelligence about the size of the Southern forces from obviously unreliable
sources. The book is overly long, but
then there's a lot going on, including the plot by local Confederate
sympathizers to kidnap or assassinate Lincoln. The White House residents are aware that
they may have to evacuate at any moment, given their proximity to the seceded
state of Virginia. Lincoln's
wife's extravagance and migraines add to Lincoln's
woes that include attempts to depose him for incompetence. Eventually his foes in Congress and in his
own Cabinet realize that Lincoln is
the consummate politician who is wily enough to outsmart them and powerful
enough to push them out of his way. Some
of his plans never come to fruition, due to his untimely death. His ideas of reimbursing the slaveowners and
relocating the slaves to Central America were not
popular with his colleagues, but I couldn't help but wonder if the
Reconstruction era could have been even more chaotic if he had lived. One thing that I found disconcerting was that
the author switched subjects or perspectives rather abruptly, and I had quite a
bit of difficulty keeping the long list of characters straight. No matter.
This book reads like a novel and reminds us that issues such as the size
of the national debt and the separation of church and state are not new. Imagine our current problems compounded by
war on our own soil. This book gives a
glimpse of what was truly a turbulent time.
Wednesday, September 5, 2012
BELONG TO ME by Marisa de los Santos
Bad things happen to good people, and in this book all the characters are likeable. Cancer can happen to anyone, and it's devastating. However, Elizabeth's disease helps bring together two women—Cornelia, the petite newcomer, and Piper, Elizabeth's judgmental best friend. There's also a surprising blast from the past that is sort of a mixed bag. Any way you slice it, though, the cast of characters is delightful. Cornelia is married to handsome oncologist Teo, and Cornelia's new friend Lake has a smart and congenial teenage son Dev, who has a new love interest in Clare, who visits Cornelia and Teo from time to time. Cornelia and Teo would like to have a child of their own, now that they're permanently situated in suburbia. Besides the cancer and a few spats due to misunderstandings, the worst thing that happens is that Dev's teacher in his previous school stifled his academic aspirations with a nasty putdown. Lake, though, responds in the best way possible by moving Dev to a new locale, near Philadelphia, where our story takes place. Dev suspects that the move has something to do with his father, whom he has never met. Clare stirs the pot by encouraging Dev to try to identify and locate his father. The result is that the kids get more than they bargained for. Too bland a read? Not at all. The writing is lovely, and the lives of these nice people have enough bumps in the road to make us want to find out how they cope.
Wednesday, August 29, 2012
THE DESCENDANTS by Kaui Hart Hemmings
I haven't seen the movie, but I can see why this
book was made into one. Matt King is a mostly
inattentive father whose wife is now in the hospital from a boat racing
accident. We learn a lot about Joanie
from Matt's and his daughters' reminiscences, and I expect readers either love
her or hate her. I fall into the latter
category. She's a department store
model, obsessed with her looks, who competes with her daughters, drinks late
into the night in bars, and engages in high risk activities. One of them is an affair, reported by the
older daughter, Alex, to her clueless father, who now starts to wonder what he
should have done differently to keep his wife from straying. His 10-year-old daughter, Scottie, is sending
hurtful texts to a classmate, and Alex, found drunk and out past curfew at her
boarding school are clearly out of control as well. It's hard to ascertain whether Joanie is a
good mom and the girls are just acting up due to her absence and uncertain
prognosis, or if this behavior is the norm.
We suspect the latter, given that Alex's substance abuse is the reason
she's in boarding school in the first place.
Matt definitely has his hands full and doesn't know where to start. Plus, he's hurt and angry about his wife's
affair. In walks Sid, a friend of
Alex's, who obviously has issues of his own, but he serves as sort of an
impartial moderator—a role for which he is probably ill-equipped, given that he
has been banished from his mother's house.
He's a trip, though, and unknowingly spreads comic relief all over the
pages. A series of darkly hilarious events
unfold, as Matt grapples with how to approach his wife's lover with the news
that Joanie is being taken off life support.
The scene in which he finally does have that uncomfortable conversation,
making the man squirm, is just splendid and seems to be the pivotal moment in
which Matt takes control and shows us what he's made of.
Wednesday, August 22, 2012
THE REVISIONISTS by Thomas Mullen
How about a futuristic novel that takes place in the
present? Our narrator, Zed, has
time-traveled from the future to present-day New York,
where his mission is to make sure that the historical agitators
("hags") do not alter the course of history. The hags have tried to prevent the Holocaust,
the 9/11 tragedy, and now the Great Conflagration—presumably a nuclear
event. Zed's employers want to ensure
that the peace and prosperity that follow the Great Conflagration remain
intact. Now Zed's gadget for identifying
hags has gone on the fritz, and he meets a fellow employee with instructions
that conflict with his own. Zed belatedly
starts to suspect that his employers are not the good guys. Caught in this web of intrigue are Leo (a
former CIA operative), Tasha (a corporate attorney who secretly leaks a
corporate greed scandal), and Sari (an Indonesian woman in the employ of a
Korean diplomat and his cruel wife). The
author weaves a pretty good plot here, but the characters are stilted, and the
various tragedies each has endured somehow fail to arouse sympathy. I found the final outcome puzzling, and I
can't even blame the time-travel aspect for my confusion. Leo's anonymous client is a shady company
called Enhanced Awareness, who also employed Troy Jones, whose identity Zed is
using in the present. I never quite got
what that company's evil mission was or what its relationship to Zed's employer
was. One reviewer assumed that Zed was
from another planet. What?? I didn't think that at all. Apparently I'm not the only reader whose
awareness could use a little enhancement.
Wednesday, August 15, 2012
THE FIFTH WITNESS by Michael Connelly
Mickey Haller is back, in this sequel to The Lincoln Lawyer. He's now representing people who are in the
process of losing their homes to foreclosure, although I'm not sure how they
can afford an attorney if they can't pay their mortgage. Oh, well.
One of his former clients has now been charged with brutally murdering a
bank executive, causing Haller to dive back into criminal law. In this instance, movie rights are expected
to cover Haller's fee when the case incites a media circus. The bulk of the novel follows Lisa Trammel's
trial, with lots of bumps and surprises along the way, all of which Haller twists
to his and his client's advantage. With conclusive
DNA evidence on the murder weapon and the defendant's shoes, and an eyewitness
who places Lisa near the scene of the crime, Haller pursues another angle—the
victim's personal financial difficulties and a shady foreclosure processing
company—in order to prove that his client was framed. Most puzzling of all is how a 5'3" woman
could bludgeon a standing 6'2" man on the top of the head—an anomaly that
the prosecution fails to address. The
plot lacks the nail-biting timing of The
Lincoln Lawyer, and the outcome and aftermath of the trial are a little
predictable. Even so, I still really
enjoyed the ride, and the book's finale is very satisfying, with things playing
out perfectly for Lisa Trammel and for Haller's career. After all, what's Haller's overriding
personal objective? To get his ex-wife
and daughter back. I hope there's more
to come.
Wednesday, August 8, 2012
SILVER SPARROW by Tayari Jones
James Witherspoon has two wives in Atlanta,
with a daughter by each. Wife #1,
Laverne, and daughter Chaurisse are oblivious to the existence of wife #2,
Gwen, and daughter Dana. Gwen and Dana,
however, are fully aware of their secondary status, despite their beauty and
intelligence, and frequently sneak clandestine peeks at their rivals. Meanwhile, James, with the help of his
ever-present business partner, Raleigh, is barely maintaining a precarious
equilibrium, keeping both households happy and, by all means, separate. This balancing act teeters toward destruction
when Dana and clueless Chaurisse become acquainted, due to Dana's morbid
curiosity, coupled with Chaurisse's envy of Dana's looks and attitude. Both Gwen and Dana realize the dangers
inherent to revealing themselves to Laverne and Chaurisse, since James has made
it clear that having both families in the same place at the same time is
strictly taboo. For example, James
cannot allow Dana to take a summer job at Six Flags, since Chaurisse is planning
to work there. Dana's frustration leaps
off the page and drives her to test the boundaries of what she can get away
with, where her relationship with Chaurisse is concerned. In some ways, she is taunting both Chaurisse
and James, dropping obvious hints on Chaurisse that should raise suspicion with
James when the fallout reaches him. When
circumstances make it virtually impossible to keep their friendship a secret,
Dana realizes that she has stepped over the line and does her best to keep the
resulting upheaval at bay. If James's
elaborate ruse crumbles, someone will have to pay, and this knowledge, on the
part of everyone except the unsuspecting Laverne and Chaurisse, infuses the
plot with tension. Plus, the mention of
many Atlanta landmarks brought a
nostalgic and knowing smile to my face.
Wednesday, August 1, 2012
THE HYPNOTIST by Lars Kepler
Here's another violent Swedish thriller, but I
didn’t find it to be of the same caliber as the Stieg Larsson trilogy. The first half was very promising, with two
possibly related crimes. One is a spree
in which an entire family is murdered, except a teenage son, Josef, who
survives the rampage, and an older daughter who had moved away. Detective Joona Linna enlists the assistance
of Dr. Eric Maria Bark in gleaning information from Josef by hypnosis, despite
Bark's decade-old vow never to hypnotize a patient again. Then someone kidnaps Bark's teenage son
Benjamin, while Bark is in a drug-induced sleep. So far so good. Could Benjamin's abduction have been plotted
by a gang whose members name themselves after Pokemon characters? Or by Josef, who is angry at Bark for having
hypnotized him? Or by one of Bark's
deranged ex-patients? The plot
temporarily derails during a rather long section in which Bark recounts the
incidents that led up to his vow to stop hypnotizing. He had been performing group therapy on
several patients who relived traumatic events via hypnosis, in order to
confront and thus thwart their inner demons.
This section drags on, and then we finally get back to the present-day
crime-solving efforts, prompting Bark's wife Simone to remark, "Everything
takes such a bloody long time." My
sentiments exactly.
Wednesday, July 25, 2012
PLEASE LOOK AFTER MOM by Kyung-Sook Shin
I've read novels about missing children, who may or may not still
be alive, and about dead parents, where the children express their many regrets
about their relationships with the deceased.
This book has elements of both types, as it is about a missing parent/wife
with dementia. We glean a portrait of
"Mom" from the viewpoints of her oldest son and daughter and from her
husband, who bears the guilt for having lost track of his wife at busy Seoul
Station. The daughter's sections are in
second person, which I found unnecessarily confusing. I kept thinking that "you" was Mom,
rather than the narrator, since the book is a collection of memories of Mom,
peppered with apologies for not having valued her and with vows to show more
affection and appreciation, if she ever turns up. The only first-person section is where Mom
gives us a glimpse of her life, sharing a few secrets that she's managed to
keep hidden from her family. It's not
that her life has been one of pain and suffering, but with all these ingrates
around, I found it uplifting to discover that she had a source of personal joy
outside the family, as well as a younger daughter who treated her with the
kindness she deserved. Having no idea
how expensive certain luxuries were, she had asked the younger daughter, a
struggling mother herself, to buy her a mink coat. (Asking her husband for one would have been
an exercise in futility.) The nearly
destitute daughter bought the coat, and then Mom was mortified to learn how
much it cost. Mom is also illiterate and
encouraged her children's education so that they could rise above her status in
life, and they did. However, they are
not likely to match her generous spirit and the bountiful gifts that she has selflessly
bestowed on them.
Wednesday, July 18, 2012
THE WOODCUTTER by Reginald Hill
Wolf Hanna's perfect life—thriving business, beautiful
wife—is shattered when, out of the blue, someone plants child pornography on
his computer. Not one to go quietly, his
rage gets him into further trouble, not to mention this other little matter of
fraud where his company's finances are concerned. His prison psychologist, Alva, happens to be
a beautiful young woman who is attracted to Wolf, despite the fact that she is
certain of his guilt. When Wolf realizes
that nothing he can do will convince her of his innocence, he dupes her into
thinking that he realizes the error of his ways so that she will lobby for his
release. After regaining his freedom,
Wolf starts to unravel the events that landed him in prison, including
discovering why his wife divorced him to marry his attorney. There is a rather odd twist at the end, but
it's not enough to salvage this effort that's not thrilling enough to be called
a thriller. In fact, if this is the best
that Reginald Hill has to offer, I won't be reading any of his other
books. This is the second novel I've
read this year about someone being framed as a sexual predator, but DanielPalmer's Helpless is definitely the
better book, with a more appealing protagonist.
Wednesday, July 11, 2012
RULES OF CIVILITY by Amor Towles
We know from the beginning that
Katey and Tinker will not end up together, because she is with her husband Val
when they come across some photos of Tinker in an exhibition at the Museum
of Modern Art. In the 1938 photo, Tinker is well-dressed and
dapper, but in the 1939 photo, although his demeanor shows contentment, his
clothes are shabby. Most of the novel is
Katey's reflection on the year 1938 and how Tinker went from riches to rags. The author makes a good case for quitting
your job the day after you're promoted.
Of course, being lead secretary in the secretarial pool at a Manhattan
law firm is exactly where Katey does not want to languish. She has a nimble mind and is well-read,
despite her working class upbringing.
Her roots don't hold her back, though, as she rolls the dice and lands a
job with Gotham,
a new magazine being launched by the publishers of Condé Nast. In the meantime,
she and her brazen friend Eve meet Tinker, whom both women have a thing
for. Then an automobile accident reduces
the threesome to an unstable couple, as Tinker applies the "you break it;
you buy it" slogan to his newfound devotion to Eve, who is seriously
injured in the accident. Katey is now
the odd woman out, but she's better company than Eve and creates other, more fruitful
liaisons. When Eve tires of being
Tinker's albatross, Katey and Tinker reconnect and embark on a tentative course
to togetherdom, until a sudden revelation shatters Katey's respect for
Tinker. All the clues should have made
Tinker's flaws more apparent, but love has a way of allowing us to see only
what we want to see. I so enjoyed going
back in time to spend a few delicious hours with these New
York denizens and seeing the city from their
perspective.
Wednesday, July 4, 2012
DREAMS OF JOY by Lisa See
At the end of Shanghai Girls, Joy has left her
home in Los Angeles, with her idealistic socialist beliefs in tow, to
seek out her biological father in Communist China. It's the 1950s, and her family fears for her
safety. Family, though, is partly what
she is running away from. Pearl, the woman who raised her but is really her aunt,
follows Joy, knowing that neither she nor Joy may ever be allowed to leave China. Before Pearl arrives in Shanghai, Joy takes off with her father, Z.G., to a collective
farm. At first, Joy finds confirmation
for her ideology, as the commune is thriving and contented. Then Mao's ambitious plan to increase output
backfires, and the country is thrust into extreme famine. Contrast the starvation with the sumptuous
banquets for foreign dignitaries, and you have anything but an egalitarian
society. The author paints a vivid and horrifying portrait of this period in
Chinese history, but Joy's rescue and disillusionment with the Chinese government,
not to mention her marriage to a peasant, are way too predictable. I don't have a problem with neatly wrapped-up
endings, but I would like for there to be a surprise somewhere along the
way. I had the feeling that this book
was intended as a crowd pleaser for the author's loyal fans and thus found it a
little disappointing. In fact, I
probably could have summarized the plot without reading a page. One surprise at the end wasn't even that surprising. Even so, there were enough harrowing
near-misses to keep me pressing forward to find out how Pearl and Joy would find their way out.
Monday, July 2, 2012
SHANGHAI GIRLS by Lisa See
Pearl and May are "beautiful girls" in Shanghai; they are an artist's calendar models. Pearl is older and more studious, but May is beautiful and
charming and appears to be the family favorite.
While these two are out until all hours and spending money frivolously,
their father is sealing their fates with arranged marriages to pay off his
gambling debts. And all this happens
just as the Japanese are invading China. Tragedy
ensues, but the girls are resourceful enough to make their way to the U.S. and their unwanted husbands, who are living with
their parents and trying to make a living in a touristy Chinese section of Los Angeles. May is
pregnant, and since her marriage was never consummated, the sisters make a pact
to pass her daughter off as Pearl's. The
daughter, Joy, causes a tug-of-war between the two sisters, but generally the
ruse works. Pearl narrates this story of building a family with
strangers, while her bond with her sister boomerangs from one extreme to the
other—the ultimate love-hate relationship.
Pearl finally has to evaluate her performance as a mother
and a wife and put her competition with May aside. May, certainly not blameless herself, commits an act of
treachery that Pearl may not ever be able to forgive, regardless of May's
motivation, and Joy naively puts their immigration status in jeopardy. My only beef with this book is that you have
to read the sequel, Dreams of Joy, to
find out how everything pans out.
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