Wednesday, November 28, 2012
THE PARIS WIFE by Paula McLain
The wife in question is Hadley Richardson, Hemingway's first
wife. Neither Hadley nor Ernest is the
least bit loveable in this engrossing piece of historical fiction. She's spineless and careless, and he's
self-centered and insulting--discarding his mentors, one by one. His relationship with Hadley is another
casualty, as he flaunts his affair with her very good friend, Pauline, destined
to be ex-wife #2. All of this strife and
torment makes for a pretty good story, even with no one to root for. I kept hoping that the clingy Hadley would
rise up and see the light, and obviously she does eventually step aside so that
Hemingway can marry Pauline, although we can see from the outset how doomed
that union will be. Hadley narrates the
majority of the chapters, but a few give Hemingway's side of the story,
especially regarding a pivotal event that spells the beginning of the end. I enjoyed all the anecdotes about other
famous writers in Paris at the
time, particularly Scott Fitzgerald, who is completely enchanted by his weird
wife Zelda. The downfall of Hadley and
Ernest's marriage is somewhat precipitated by the flagrant disregard for
marriage vows that so many of their other friends exhibit. The accolades for In Our Time and The Sun Also
Rises feed Hemingway's ego, so that he feels entitled to a mistress himself
and exhibits an appalling callousness to the pain he inflicts on his tortured
wife. In many ways, though, she's not
exactly a shrinking violet, sharing Hemingway's admiration of the violent
bullfights and matching him almost drink for drink. I felt that their marriage might have lasted
if she could have shed the chip on her shoulder that she felt for not being an
artist herself. On the other hand, she
was probably better off without him in the long run. Did regret play a role in his suicide, or was
he just another tormented genius? I
can't help believing that at some point he realized the error of his ways.
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