Wednesday, January 17, 2024
THE BOOK OF FORM AND EMPTINESS by Ruth Ozeki
Fourteen-year-old Benny Oh and his mother, Annabelle, both
have a problem with inanimate objects.
Since the death of Kenji, Benny’s father, Benny hears the voices of
things like a table leg, which tells him the story of a toddler being tied to
it. Annabelle’s hoarding of useless
stuff could result in their eviction and in Benny’s removal to foster
care. Benny’s issues lead him to do some
really asinine things, and I felt for Annabelle as she struggles to keep her
job and her sanity while Benny becomes increasingly more unmanageable. At its heart, this book is an attack on the
materialistic world in which we live. However, it also makes a statement on the
inadequacy of our mental health system, although Benny’s problems would be a
challenge for any doctor trying to diagnose and treat them. I found this book to be a relatively fast
read, despite its length, but I found some aspects of it to be unnecessary and
confusing. At times, the narrator is
definitely a book or books, and sometimes Benny is the narrator. It also contains snippets from a book called Tidy Magic, which Annabelle is reading,
although her adherence to its advice is haphazard at best. Whereas objects speak to Benny, Annabelle
speaks to objects, as suggested in Tidy
Magic, thanking them for their service before disposing of them. Despite all this conversation with inanimate
stuff, the only objects that actually come to life are the tidying-up book
itself and a collection of words on refrigerator magnets that periodically
rearrange themselves in a different order.
Then there’s the author of Tidy
Magic, who lives in a Zen monastery.
She comes into the picture because Annabelle voices her frustrations to
the author via email with no expectation of a reply, and I guess that’s why we
need to know her situation. The good
news about this side plot is that the Zen author’s aide offhandedly offers a
welcome explanation for Benny’s behavior.
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