Danny Conroy may be the first-person narrator of this book
(I’m always little thrown off by male first-person narrators of books penned by
female authors), but the house in the title carries more influence than many of
the human characters. Danny and his older
sister Maeve grow up in this house, mostly without the presence of their
do-gooder mother, who is appalled by the ostentatious structure that feels to
her more like a museum than a home. She
abandons her children to help the poor in India, and her husband carelessly
marries a pretty golddigger, who morphs into a wicked stepmother in no
time. This premise may not sound very
original, but in the hands of a great writer like Patchett, it doesn’t have to
be. I will say that I had no difficulty
putting the book down, until a revelation about halfway through the book grabbed
my attention temporarily. My excitement
quickly fizzled, but no matter. This is
basically a sibling story where the older sister becomes the surrogate mother,
and although I realize that’s not very original, either, Maeve and Danny’s
relationship is the glue that holds this novel together. One of my favorite passages in the book is
Danny’s comparison of a hospital’s layout to a cancer that grows willy-nilly,
as wings are bequeathed and added to the building in haphazard fashion. How true.
I like a number of Patchett’s novels more (Taft,
The Magician’s Assistant, State
of Wonder, Bel Canto),
but I still found this to be a satisfying and enjoyable read, though possibly
not memorable.
No comments:
Post a Comment