This book is extremely reminiscent of Conrad’s
Heart of Darkness, including a river
trip to meet up with a man with an outsized reputation.
The British colony this time is Burma, and
the country has an intoxicating effect on Edgar Drake, an English piano
tuner.
He has been summoned to tune a
rare grand piano that has been shipped to Anthony Carroll, a doctor who has
become an almost mythical figure, trying to negotiate peace between the
indigenous Shan warlords and the Brits, partly through music.
His strategy seems to be effective, but the
mystery that surrounds him brings his motivation and methods into
question.
Drake falls under his spell,
as well as that of a beautiful Shan woman, who may be Carroll’s mistress.
Some reviewers have complained that the
pacing is slow and tedious at times, particularly Drake’s journey from England
to Carroll’s camp, but I viewed this section as more of a buildup for what was
to come.
I found more frustrating
Drake’s lingering in Burma, long after his assigned work there is done.
This very civilized man seems to gravitate
toward the Burmese landscape and develops a sense of belonging in this exotic
and dangerous land.
His beloved wife in
England awaits his return, but we never get a sense of how she is faring while
Drake is away.
The ending leaves several
unanswered questions, but that seems to be par for the course with many novels
these days.
Also, there is a tragic
hunting accident in the first half of the book that seemed gratuitous to
me.
I am not sure what the author’s
purpose was, unless perhaps he is painting the Brits as bloodthirsty,
reckless
and without concern for the
native people.
I think his portrait is
consistent with how we currently view imperialism in general, and he makes his
point even more emphatically later in the book.
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