I’m not sure why creative people seem to lead such tortured
lives, but it certainly seems to be the case.
If I have one complaint about this novel, it’s that Peggy Lipton’s
misfortunes seem a little exaggerated. Certainly having been molested
repeatedly as a child traumatizes her and creates a pall over her entire life,
but most of her other wounds seem to be self-inflicted. Growing up, her family life was not warm and
nurturing, but her parents were fairly affluent and not abusive. Emotionally, however, Peggy was not
well-balanced, probably suffering from depression, and sought acceptance via
sexual relationships that were not always healthy. My favorite part of the novel were the old
photos—with Paul McCartney, with the Mod
Squad cast members, with Terence Stamp, with Lou Adler, with Sammy Davis,
Jr., and with her family. I was fascinated by all of these encounters
and kept returning to the photo pages—not to see her companion but to see how
she looked at the time. Her most
fulfilling relationship was with her husband of 14 years, Quincy Jones, and I would
expect his memoir to be even more captivating.
The book is sort of a series of reminiscences with a slightly wavering
timeline, and the writing is decent and flows nicely. Her life may have been tainted by sadness but
it was never dull, and neither is this book.
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