This is my least favorite Nicole Krauss novel so far. Still, it’s certainly not the worst thing
I’ve ever read. The two main characters
are both in Israel and undergoing life changes, but other than that, they don’t
seem to have anything in common. Moreover,
their stories never converge, so that this is like two novels squashed together. Their only definite overlap happens to be
with a gold-toothed taxi driver who drops one character in the desert and picks
up the other character on his way back to Tel Aviv. This coincidence at least confirms that the
stories are taking place concurrently. Jules
Epstein has retired from his New York law practice and has a sudden urge to
give everything away. He would also like
to create some sort of memorial to his parents in Israel, even though his
childhood was not exactly pleasant. He
crosses paths with a rabbi and his filmmaker daughter, but honestly, Epstein’s
story did not grab me, although one of my favorite scenes in the book involves
his doorman in New York. The other
character tells her story in first person and refers to herself at least once
as Nicole (semi-autobiographical?). She
is a successful novelist but has gotten stuck trying to start her next book and
is reexamining the state of her marriage.
She abruptly leaves her family for Tel Aviv after being contacted about
a project there with a man named Friedman, who may have been a member of the
Mossad. The project turns out to involve
Franz Kafka whose death from tuberculosis at the age of 40 was possibly
faked. She eventually has her own very
Kafkaesque experience, which brings on even more self-reflection. This book just did not resonate with me at
all, and I found it hard to follow, especially given the almost dream-like
quality of the storyline, or, I should say, storylines.
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