Before reading this book, I was not familiar with Andrew
Wyeth’s iconic painting, “Christina’s World.”
This novel provides a backstory for Christina, the woman on the ground
in the forefront of the painting. Seen
from behind, she is looking at a farmhouse, perhaps with longing, but we can’t
see her face. We learn in the novel that
Christina is disabled and ultimately loses the ability walk, as the years wear
on. She is a stubborn woman, refusing a
medical examination on multiple occasions.
I found this intransigence to be more telling about her personality than
just about anything else. I believe that
her affliction gives her a sense of identity and uniqueness that she does not
want to lose. Her only opportunity for
escaping her hard life on the farm is the attention of a young man who
ultimately goes to Harvard and probably does not want to be married to a woman
whose father forced her to quit school at the age of twelve. When Christina is middle-aged, a friend
becomes involved with Andrew Wyeth, who begins making regular visits to Christina’s home, which
she shares with a younger brother. Wyeth paints a number of various seemingly
uninteresting objects in the house but brings a breath of fresh air to
Christina’s otherwise dreary life. The
fact that someone who has lived her entire life in one place, rarely venturing
beyond the boundaries of the Maine farm, should be immortalized in a painting
known the world over is ironic but not uncommon. What is uncommon is that in this case we
don’t see the subject’s face. This novel
makes Christina human and reveals a bitter and lonely woman behind that hidden face.
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