Both father and son, Jacob and Sam, are in trouble because
of words they’ve written. Jacob, a TV
writer, has been sexting a colleague from work.
When Jacob’s wife Julia discovers the texts on his phone, divorce seems
imminent, and Julia becomes involved in a flirtation of her own. Unfortunately, the couple has three sons, all
too smart for their own good, of which Sam is the oldest. Sam has been accused of writing dirty words
during Hebrew school, and his bar mitzvah won’t take place unless he
apologizes. Sam, however, steadfastly
declares his innocence. Jacob believes
him, but Julia does not. The family’s
problems are amplified when an earthquake in Israel has catastrophic
consequences. The novel also deals with
two ailing characters, the family dog Argus and Jacob’s grandfather Isaac, a
Holocaust survivor. Both are well-loved,
and their suffering is heartbreaking and problematic. One of Jacob’s most upsetting memories is
that of his father disposing of a dead squirrel. This incident has implications for Jacob’s
decision regarding Argus, who may or may not be ready for euthanasia. Isaac’s quality of life is on the decline
also, and many of us have grappled with how best to make a loved one’s final
years comfortable. As is the case with
Foer’s previous novels, this one is very introspective and also fairly long, so
it’s not for everybody. Jacob, though, demonstrates his power with
words in some very snappy and often hilarious dialog. He is the focal point of this novel—a mostly
good man but definitely not heroic. In
other words, he’s very human.
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