Pete Snow works for the Department of Family Services in a
rural area of Montana during the Reagan era, ministering to fringe elements of
society. He tries to protect Cecil from
a mother who cooks meth and sexually abuses her son, as well as Benjamin Pearl
whose father Jeremiah expects the apocalypse to arrive at any moment. Jeremiah’s religious beliefs are so strict
that he doesn’t allow Benjamin to enjoy anything that might be construed as a
graven image, such as TV. Jeremiah also
eschews currency of any kind and finds that there is a market for coins that he
defaces by punching holes in the heads of the depicted Presidents. While Benjamin and Jeremiah are living off
the land as best they can, Pete keeps asking where is the rest of the family,
but we readers assume the worst. Pete
himself is no paragon of virtue—an alcoholic whose adulterous, alcoholic wife
has fled to Texas with their 13-year-old daughter, Rachel. Pete is being stalked by his brother’s parole
officer, who may be the most dangerous person in the novel, and that is saying
a lot, as this has to be one of the darkest, bleakest, most violent novels that
I have read lately. The only characters
who seem to be truly virtuous are the Cloninger family, who willingly take in
the foster children who Pete manages to wrest from unsafe homes. The fact that these types of family
situations abound in this country in modern times is disturbing, especially
since Pete’s options are so limited. My
horror and frustration with these characters and what they realistically
represent totally overshadows almost everything else that I may have noticed
about the novel. Even law enforcement
characters in the novel shoot or throw punches first and then sweep up the
collateral damage. This world is like a
war zone, and it’s hard to distinguish the bad guys from the good—if, in fact,
there are any of the latter.
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