This novel seems so authentic that it feels like an
autobiography. And, yes, the narrator,
Lucy Barton, is a writer. She is
enduring an extended hospital stay resulting from an appendectomy
infection. One morning she wakes up in
her hospital bed to find her estranged mother sitting in the room. Lucy’s husband, who barely visits at all, has
paid for Lucy’s mother’s journey. Little
by little, the author reveals disturbing snippets in Lucy’s poverty-stricken
and abusive childhood. Although Lucy as
a grownup has had very little contact with her mother, she is delighted to see
her and hear her take on their family’s place in the community, as well as
curious nuggets of information about neighbors.
What’s interesting here is that there is a massive disconnect between
the reality of Lucy’s childhood and her mother’s distorted view. Lucy’s mother offers no regret,
embarrassment, or apology for Lucy’s extremely painful childhood. Her mother is disconnected emotionally as
well, unable to express the love for her daughter that she obviously
feels. The author explores the
mother-daughter dynamic here in a way that transcends logic. Lucy has kept her distance from her mother
for years but now delights in sharing memories and stories that don’t relate to
either of their current lives. Elements
of this book seem very much like The
Glass Castle but with more emphasis on Lucy’s present life in New York,
including her admiration for her very caring doctor and for an established
author who gives her some important advice about not whitewashing the ugly
stuff.
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