It’s the 1940s, and Eva’s father Edgar has two
families. When his legal wife dies, Eva
lands in Edgar’s household, along with a teenage half-sister, Iris, whom Eva
has never met. Iris could have been
downright nasty to Eva, but she’s not.
When Iris decides to sneak off to California to pursue acting, she lets
Eva tag along. Iris’s budding career is
cut short, however, when paparazzi catch her in a lesbian love affair. Edgar’s timely arrival on the scene affords
the girls an opportunity to head back east, along with Francisco, Iris’s friend
and makeup artist. At this point the
novel becomes a little silly, despite a grave tragedy, as Eva finds her calling
temporarily as a fake fortuneteller. With
Edgar, Eva, Iris, Iris’s girlfriend, Edgar’s girlfriend, and a young boy that
the girls pluck out of an orphanage, we have a strangely functional
family. Eva and Iris both do some
devilish, childish things that would be funny if they didn’t have such dire
consequences. Of course, characters
without flaws are not that interesting. My
favorite passages are in letters from Gus, a man who, due to some very unfortunate
shenanigans, now lives in Germany, after being buffeted from one bad situation
to another. He makes some sweeping,
mind-blowing, post-war observations and generalizations about the Poles, the
Ukrainians, and the Brits that I’m afraid I will never forget, whether they’re
valid or not. Gus, who I think is really
the conscience of the novel, and Eva are the true actors here, both building a
life using false credentials. They are
both poster children for redefining one’s self.
No comments:
Post a Comment