When a novel centers around the drowning of a 12-year-old
girl, I expect the tone of the novel to be pretty serious. However, the writing has more of a folksy,
lighthearted tone that somehow doesn’t feel right. And it’s not because it’s Southern, because
there are plenty of serious Southern writers.
Not that I have a problem with injecting a little humor into a story
whose focus is a tragedy, but I just don’t think it works here. Laurel is a suburban mom near Pensacola whose
loving husband David communes with his computer all day for his job as a
software developer. Their daughter
Shelby was a good friend of Molly’s and may know more than she’s saying about
Molly’s death. After the police grill
Shelby, Laurel takes matters into her own hands—not by quizzing Shelby but by
bringing in her volatile sister Thalia to help investigate the neighbors. Standing by but watching all the goings-on is
Bet Clemmons, who is staying with Laurel and her family for a few weeks, as a
respite from her impoverished life with a meth-addicted mother. Thalia’s presence and Molly’s death motivate
Laurel to reevaluate the death of her uncle Marty, whose ghost she sees from
time to time. In fact, Molly’s ghost is
the intruder who alerts Laurel to the fact that her body is face down in the
pool. When Laurel has a drunken meltdown
and smashes everything in sight, I wasn’t sure if this temper tantrum was out
of character or just a long overdue eruption.
Laurel is a quilt artist, perfectly content with her quiet life, but
Thalia starts planting seeds of doubt in Laurel’s mind about David’s fidelity,
mostly because she feels that Laurel would be happier with a more eventful
life. Thalia is an actress, happily
married to a gay man, so that both she and her husband can enjoy guilt-free
extramarital flings. I would definitely
choose Laurel’s quaint family life over Thalia’s eccentric one, but each to his
own.
No comments:
Post a Comment