Elaine prefers to be called a painter rather than an artist
and is in Toronto for a
retrospective of her work. This novel is
a retrospective of her life, which was happy until her family moved there while
she and her brother Stephen were children.
Her parents are a bit nebulous and beyond eccentric. Her father is an entomologist who settles his
family in Toronto when he takes a
college teaching job. After a nomadic
life in motels and campgrounds prior to that point, Elaine is not equipped for
girl stuff and pays a very high price for acceptance by her so-called friends,
led by the enigmatic Cordelia. (Mean
Girls would be an appropriate title for this book.) We know from the beginning that Elaine will
make it to adulthood, but it's touch and go for a while, and I kept wondering
what pivotal event was going to turn the tide for her. There certainly is one, and although she
struggles out of more than one destructive relationship, she never comes across
as really triumphant or even very confident, despite her success. This is due largely to unfinished business
with Cordelia, and Atwood seems to make the point that sometimes resolution has
to come from the peace we make with ourselves.
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