Wednesday, September 27, 2023
THE LINDBERGH NANNY by Mariah Fredericks
I had misgivings about this book, as there is so much bad
historical fiction out there. However, I
found myself engrossed in this story and wondering how factual it was. (The author distinguishes fact from fiction
in a section at the end.) Plus, Charles
Lindbergh’s admiration of Hitler and embrace of Fascism make him an
unsympathetic historical figure.
However, this is not his story.
This is the very personal story of Betty Gow, the nanny who had to fight
suspicion of her involvement in the abduction and death of a child she adored. The first half of the novel, prior to the
kidnapping, drags a bit, and, honestly, we don’t know how many pages we are
going to have to read before the crime occurs.
The author wisely provides as much shock value as possible, given that
we know what’s coming sooner or later.
She takes us on a twisty ride afterwards, with many seemingly innocuous
events, such as phone calls prior to the kidnapping, suddenly becoming clues to
the mystery of how it happened. The
Lindbergh’s household staff, as well as those working for Anne Morrow
Lindbergh’s parents, all come under scrutiny during the investigation, as does
Betty’s boyfriend. Doubts as to any
character’s innocence are sometimes put to rest and then resurrected. Ultimately, everyone’s life is adversely
affected, but none more than Betty Gow’s.
Wednesday, September 20, 2023
INFINITE COUNTRY by Patricia Engel
A Colombian family of three—Elena, Mauro, and baby Karina—go
to the U.S. to escape the violence in their home country. Ironically, the constant stream of shootings
in the U.S. unsettles them and causes them to doubt the wisdom of their
decision. A bigger problem, of course,
is their undocumented status. Elena
gives birth to two more children, Nando and Talia, while in the States. In another weird twist, Talia, an American
citizen, is sent to live with her grandmother in Bogotá, because Elena cannot work and care
for an infant simultaneously. By this
time, Mauro has already been deported, so that we have a split family. Plus, Elena did not really want to leave
Colombia in the first place, and now she is torn about whether or not to stay
in the U.S.. Fast forward fifteen years,
and Talia has escaped from a juvenile detention center so that she can join her
mother and siblings in New Jersey.
Everything I’ve said so far is pretty much the premise, but the other
stuff that happens, in both Colombia and the U.S., is glossed over and told in
a very detached manner. In other words,
this book did not grab me emotionally, except for the connection between Elena
and Mauro, although no one would categorize this book as a love story, and the
trepidation that Talia feels about reuniting with her mother, brother, and
sister, whom she does not know at all.
Wednesday, September 13, 2023
APPLESEED by Matt Bell
Strange hybrids inhabit this novel. Chapman is a faun—half man, half beast—who,
along with his brother Nathaniel, marches westward during the early settlement
of this country, planting apple orchards.
He manages to shapeshift into a man as necessary and is the author’s
reimagining of John Chapman, aka Johnny Appleseed. Two other storylines are futuristic and at
times difficult to unravel, but they basically bring us to a world in crisis,
due to climate change. I feel a little
guilty calling these sections sci-fi, since the consequences of climate change
are anything but fiction, but there is definitely some not-yet-invented cloning
and whatnot going on. Another hybrid is
C-433, who is a blue furry being (recycled from C-1 through C-432, plus some
plastic replacement parts) and is gradually morphing into a tree, due to some
biomass that C-432 threw into the mix.
The third storyline, which takes place sometime between the other two, involves
John and Eury, childhood pals who built Earthtrust, a company that ostensibly
intends to save the planet. However,
John abandons this enterprise when he discerns that Eury is becoming a little
too drunk on her own power and is losing sight of their ultimate
objective. In fact, Eury is intent on
saving humanity, at the expense of everything else, by monkeying around with
the natural world. The suspense in this
novel, for me, was how the three storylines fit together, and I never caught on
to the link between the Johnny Appleseed story and the other two. Plus, the last name of John, of the John and
Eury story, is Worth, which is also the last name of a farm family who befriend
Nathanial and Chapman during their orchard-planting expeditions. Huh?
Anyway, the author drives home the fact that Johnny Appleseed destroyed
natural habitats by clearing land to plant apple trees. Wildlife doesn’t stand a chance in the face
of human proliferation.
Wednesday, September 6, 2023
HELLO BEAUTIFUL by Ann Napolitano
William’s 3-year-old sister dies when William is 10 days old. The behavior of his parents after this tragic loss causes William to feel that he should have been the child who died. Basketball becomes his refuge, and he “wills” himself to become tall. He meets Julia in college, and her three sisters and parents soon become his surrogate family. However, cracks begin to appear in the veneer of Julia’s close-knit family, and two almost simultaneous events send them into a tailspin. The resulting fracture resembles what happened to William’s family, as Julia’s family goes from happy to splintered in a split second. Another example of history repeating itself is William’s reaction to the birth of his own daughter. From here the story becomes just too messy and somewhat tedious. The author covers too many issues—depression, attempted suicide, coming out as gay, teenage pregnancy, alcoholism, cancer, estrangement, and, of course, the death of a child. Also, the degree to which William’s parents distanced themselves from him seemed weird to me. He had to have had some supervision and discipline when he was a child, as I don’t think he raised himself, and there was no indication that someone else did. I kept hoping for something to draw me to this story, but, alas, the ending is melodramatic and predictable.
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