In the early 1900s in East Africa, two young African men join the German army’s fight against the British. Ilyas has a young sister under his protection but returns her to a life of physical abuse so that he can join the German colonial army in its fight. The big question may be why, but the bigger question concerns his fate. The other man is Hamza, who has never met Ilyas, but falls in love with his sister, Ayfia, after he has returned to his village after the war and she has been rescued by the man whom becomes Hamza’s work supervisor. Both Ilyas and Hamza owe their literacy to the Germans, but Hamza suffers serious injuries that were not sustained in battle. Ultimately, we have a love story set against a backdrop of European colonialism—first Germany’s and then Britain’s—in East Africa. More importantly, I think, is the sense of community that surrounds these characters. Some of their elders are obviously cruel, but others are willing to accept and assist someone like Hamza in need of a leg up. Despite taciturn and even hostile exteriors, many people, including a pastor and a German officer, help Hamza become an asset to the community. For anyone not familiar with the geography of East Africa or the impact of WWI on that part of the world, the historical aspect of this novel may be confusing. However, the family saga is not. It is easy to follow, and I found myself getting caught up in the lives of these characters, who like Hamza and Afiya, hope to catch a break after enduring so much adversity.
Patti's Pages
Taking Looks at Books
Wednesday, November 20, 2024
Wednesday, November 13, 2024
SIGNAL FIRES by Dani Shapiro
This novel opens with a terrible car accident. Fifteen-year-old Theo is driving, because his
older sister, Sarah, is intoxicated.
Another teenager in the car does not survive. Sarah claims to be the driver, not only to
protect Theo, but also because she so casually threw him the keys. This tragedy becomes a secret that Sarah and
Theo’s family will never discuss. Years
later a younger family moves in across the street, and, although the two
families never socialize with one another, their lives become entangled. This other family’s son, Waldo, has a
genius-level IQ but is a disappointment to his father whose expectations Waldo
will never meet. Waldo’s passion is
astronomy with a healthy dose of physics and maybe even a bit of
metaphysics. His interest in the death
of stars leads him to a philosophy about the death of people as well, and his
depth of perception is totally invisible to his father, who has anger
management issues. These two families
are troubled in completely different ways.
Waldo’s is basically dysfunctional, while Sarah and Theo have guilt
issues that go unaddressed. The fact
that their parents refuse to talk about the accident just adds fuel to the
fire. If you are thinking that this
novel leans toward the melancholy, you would be right, but it is much
more. Sarah, Theo, and Waldo all have to
figure out a way to navigate lives whose foundations are shaky.
Wednesday, November 6, 2024
WESTERN LANE by Chetna Maroo
Gopi and her two older sisters live in England and are still
reeling after their mother’s death.
Their father has decided to turn his energies toward making his daughters
excellent squash players. Meanwhile,
their father’s brother and his wife, who live in Edinburgh, have offered to
raise one of the girls. Eleven-year-old
Gopi, our first-person narrator, is the most likely candidate, but she is also
the best squash player by far. She
becomes friends with a boy named Ged who plays squash at the same facility, and
they both register for a major tournament that will take place in a few
months. This tournament becomes the
focus of most of the book’s characters, but an overheard remark leads to events
that threaten Gopi’s participation. This
book definitely has melancholy overtones, but the prospect of the tournament
keeps both the characters and the reader engaged. The specter of the dead mother looms over
everyone, and too many decisions seems to require debate over what she would do
if she were still alive. This frequent
review of the dead mother’s possible opinion stifles her family’s ability to
move forward and into a life without her.
The father is obviously depressed and struggling to be motivated to keep
the family afloat, while he suffers disapproval over his friendship with Ged’s
mother. I don’t want to make this post
longer than the book itself, but Ged’s mother, who has very little to say in
this book, is probably my favorite character.
What she does say is wisely protective of her son and not open to
discussion, and she stands her ground firmly without wavering. Gopi’s aunt is also intransigent on a
completely different issue and in her mind is protective of Gopi. In reality, her stance is rooted in a bias
regarding what girls should and should not do.
Sunday, November 3, 2024
EASTBOUND by Maylis de Kerangal
Aliocha is twenty years old and has been conscripted into
the Russian army. And if that’s not bad
enough, he is on the Trans-Siberian Railway, headed to an unknown
destination. After being attacked by
another conscript, he decides that escape is the only answer. Easier said than done, but he enlists the
help of a French woman, Helene, who has left her Russian lover, with no
particular destination in mind. Here are
two people who don’t know where they are going, but this train is going to take
them there. Helene sees another
spontaneous fugitive like herself in Aliocha, a total stranger, but Aliocha is
not above using intimidation in his frantic effort to convince Helene, or even
a child, to assist him. Packed with
tension, everything about this book is small—the number of pages, the timeline
of just a few days, and the cramped space of the train, contrasting with the
vast Siberian landscape on the outside. The
setting is perhaps a bit claustrophobic intentionally, adding to the feeling of
desperation that Aliocha is experiencing.
However, Helene’s plight, serving as his accomplice, is just as dire. This book speeds along at a much faster clip than the 60 kph train.
Wednesday, October 30, 2024
EITHER/OR by Elif Batuman
Selin, a sophomore at Harvard, was born in the U.S. but is
of Turkish descent, speaks some Hungarian, and is learning Russian. She has never had sex, never been kissed, and
never been asked out on a date. Her shoe
size is eleven and a half. This novel
reads like a year-long diary and may contain an excessive amount of
navel-gazing, but it had me at the first page. Selin has a wry sense of self-deprecating
humor, which contradicts her obsession with death, and she over-analyzes almost
everything. This novel is funny in an
erudite sort of way and would appeal to anyone who likes a heavy dose of
philosophy (Kierkegaard) with their fiction. It is all about a personal journey—destination
unknown—and culminates in a really wild
actual summer trip, sponsored by a company that recruits college students to
investigate and write about foreign travel “off the beaten path.” This whirlwind final section is absolutely my
favorite part of the book and sets us up for a sequel. Sign me up!
Selin’s freshman year is the subject of Batuman’s other novel, The Idiot, which I have not read. If I had read it, I might be able to keep up
with her vast circle of friends, with names like Svetlana and Lakshmi. At one point she meets a guy whose name even
she has trouble pronouncing, so that she just refers to him throughout the book
as the Count, like a character in an Iris Murdoch novel. To say that Selin is well-read is an
understatement. I am afraid that she
puts me to shame in that department.
Wednesday, October 23, 2024
CALLING FOR A BLANKET DANCE by Oscar Hokeah
Ever is the main character in this story, but his prominence
is not initially apparent, as he is only six months old. Part Cherokee, part Kiowa, and part Mexican,
we follow his development from an angry and unmanageable child to a man who
works with troubled kids, although that transition seemed very abrupt to
me. His first wife, Lonnie, bears him
three children, who become his responsibility when she becomes a meth
addict. Ever struggles to keep his
family safe and whole and even adds a fourth charge named Leander, an
adolescent whose fury and accompanying violence closely resemble Ever’s own issues
at that age. This book is largely about
family, especially in the various Native American communities, but Ever’s relatives
have problems of their own, especially alcoholism and drug abuse. Both Ever and his sister, Sissy, both pin
their romantic hopes on unworthy candidates for partners, making their journey
toward keeping their heads above water that much harder. This book bears some similarities to several
of Louise Erdrich’s novels, and I found this one easier to follow in terms of
the relationships between the characters.
Another plus is that this book has a very straightforward timeline. However, there’s just not enough of a plot
here to hold my attention. The most
memorable section of the book is the final chapter, but up until that point,
the book is mostly poignant, with a feeling of inevitable hopelessness.
Monday, October 21, 2024
CHECKOUT 19 by Claire-Louise Bennett
I do not understand why the New York Times named this one of the ten best books of 2022. It basically has only one character—the female narrator—and no plot. This book is mostly a litany of books and authors that the narrator has read and some nebulous stories that she has written. For reasons I cannot fathom the author sometimes switches from first person to third person, making me wonder if both are the same character but always deducing that they are. We get sidelong glances into her life with few real specifics until near the end when she describes two rather significant horrifying events. There are several scenes with a guy named Dale, whom the narrator does not claim as a boyfriend “but often behaved just as if he were.” His actions made me wonder why on earth she would spend any time with him, boyfriend or not. To top it all off, paragraph breaks are at a minimum, so that I can flip to almost any page, and nonstop words occupy both sides. For me, this book was a chore to read with no reward for my effort.
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