Sunday, January 30, 2022
DINNER AT THE HOMESICK RESTAURANT by Anne Tyler
Pearl Tull’s husband, Beck, abruptly leaves her with three
children to raise on her own. Cody, the
oldest, is as mean as a snake, playing tricks on his kinder and gentler younger
brother, Ezra, to get him into trouble or just for the fun of it. Cody is obviously jealous of Ezra’s
even-tempered likeability and is sort of a male version of the title character
in Margaret Atwood’s The
Robber Bride. Jenny
becomes a doctor but seems destined to repeat her mother’s habit of striking
and verbally abusing her children. There
are some LOL nuggets in this book, including a hilarious letter proposing
marriage to Jenny. Her terse reply is
also funny, but this book goes from funny to dark in a heartbeat. Plus, Pearl’s mistreatment of her children
and Cody’s mistreatment of Ezra just overshadowed everything else for me. Ezra is a saintly sort of character, but I
found it hard to respect him; he needs to grow a backbone. I really liked the ending, but the rest of
the book is definitely a downer. One
character, Ruth, whose story I don’t want to give away here, is particularly
unfortunate, and another, Josiah, deserves better in life, although he is not
nearly as pitiable as Ruth.
Tuesday, January 25, 2022
THE LIONS OF FIFTH AVENUE by Fiona Davis
Something about this novel makes me think of a Nancy Drew
mystery, although Nancy Drew is a more competent sleuth than the two women who
headline this novel. In 1913, Laura’s
husband, Jack, is the superintendent of the main library on Fifth Avenue in New
York, and their family lives in an apartment within the library building. All is well until two things happen: some rare books go missing from the library,
and Laura gets a scholarship to journalism school. Laura goes on to become a famous essayist on
women’s rights, but her family suffers from her negligence. What?
Laura’s feminist activities lose their impact when one considers what
she forfeited, and I object to the author blaming Laura’s pursuit of a career
for what happens. Some eighty years later,
Laura’s granddaughter, Sadie, is in charge of a collection of rare items, when,
again, rare items start to disappear.
Sadie becomes an amateur detective, alongside a legitimate detective
hired by the library, but manages mostly to implicate herself, due to several
bonehead moves that are obviously going to come back to bite her. Sadie decides to investigate the thefts from
eighty years ago as well, thinking they may be connected somehow. Huh?
Despite the implausibility of both of these crimes, I did find myself
anxious to know whodunit and how, but the identities of the perpetrators are so
ridiculous that I could only sigh with relief when I finished this novel.
Tuesday, January 18, 2022
GIRL IN ICE by Erica Ferencik
Val’s twin brother Andy has just died of an apparent suicide
doing research on a remote island above the Arctic Circle. Now Wyatt, Andy’s friend and colleague, has
invited Val to bring her linguistic skills to that same island. Apparently, Wyatt has thawed a young native
girl from a crevasse near their research station, but she is speaking an
undecipherable language. Val, whose
mental health is already teetering on the edge, decides to accept Wyatt’s
offer, but her main objective is to find out what really happened to Andy. I would classify this novel as an
adventure/thriller, in the same vein as The
River at Night, but I thought this book was a major improvement, primarily
because Val, despite her vulnerabilities, is admirable, likable, and
believable, even if the plot seems a bit farfetched. Although not a mother herself, Val becomes a
mother figure to the unfrozen girl, whose name turns out to be Sigrid. Val is caring and protective of Sigrid, especially
since Wyatt may or may not be trustworthy.
I found this book to be well-written and extremely suspenseful, although
its first person narrative indicates that Val will survive. For me, that helpful hint is not a bad
thing. I questioned more what was going
to happen to Sigrid, as Wyatt’s motives become increasingly more suspicious and
Val’s ability to shield Sigrid from Wyatt’s experiments appears to be
insufficient. Even here in Florida I
feel shivery after reading this book—partly from the action and partly from the
constant reference to the frigid weather.
Isolation is scary enough, when the few people around Val are nefarious
characters, but the subzero temperatures add an additional fright factor. Thanks to
Simon and Schuster for the advance reading copy.
Sunday, January 16, 2022
THE RIVER AT NIGHT by Erica Ferencik
Four women embark on their annual
adventure/vacation—whitewater rafting in Maine.
Pia has cooked up this idea and then convinced the other three to go
along, as she always does. Wini, the
narrator, is the most skeptical, particularly since their guide is a 20-year-old
who, along with his father, is just getting started in the business. This whole scenario, of course, is a recipe
for disaster, but we don’t know if the women’s antagonists will be the forces
of Mother Nature or Deliverance-style
humans living off the grid. This novel
has strong similarities to Peter Heller’s The
River, but in this case the characters are smart women who make
some exceedingly unwise decisions.
Disagreements among the women as to the best course of action after each
catastrophe (yes, there is more than one) always seem to be resolved by
choosing the least reasonable alternative and with Pia continuing to take the
lead, despite the fact that she got them into this mess in the first
place. In other words, the plot is gripping,
though somewhat frustrating, and the pace is faster than a speeding bullet,
with vivid accounts of the women, particularly Wini, fighting for survival,
often underwater. The author doesn’t
pull any punches here and delivers a few right to the reader’s gut. There are times when this novel is not
entirely believable, such as when Wini’s knowledge of sign language becomes a
life saver, but overall it is very visceral and convincing.
Tuesday, January 11, 2022
THE CANDY HOUSE by Jennifer Egan
Once again Jennifer Egan takes us on a wild ride through the
lives of multiple connected characters.
We start with Bix, the head of a facebook-like company that takes
sharing memories to a whole new level.
In this futuristic take on social media, people can upload their
consciousness from their brains to the internet. Like the candy house in Hansel and Gretel, this technology is not as tasty as it appears to
be. Another company allows users, known
as eluders, to transfer their online identity to a proxy. This cyber stuff is really secondary, though,
to the lives of the characters, intertwined with family, friendships, and work
relationships. This novel consists of
separate narratives that resemble short stories, similar to the format of
Elizabeth Strout’s Olive
Kitteridge and Olive,
Again. The downside to
this approach is that there is no cohesive plot that I could identify, and some
narratives seem unfinished. For
instance, in one chapter, Chris Salazar finds himself stuck with a stranger’s
suitcase, but unless I missed something, we never find out if the suitcase is
reclaimed or what is in the suitcase.
One whole chapter consists entirely of pieces of correspondence (emails,
tweets?), some of which are hilarious.
Another chapter contains a lengthy and, at times, snooze-worthy, list of
behavioral rules for spies and at the same time recounts the experiences of a
“citizen agent.” I don’t remember A
Visit From the Good Squad at all, but many of the characters
from that book reappear here with different stories to tell. Authenticity seems to be a primary theme, and
one character screams periodically in public just to elicit an authentic
reaction, which is rarely positive. All
in all, this novel is quite clever and creative but not exactly riveting. Thank you to Book Club Favorites at Simon
& Schuster for the free copy for review.
Tuesday, January 4, 2022
A WOMAN IS NO MAN by Etaf Rum
This troubling novel revolves around Isra, a Palestinian
woman who comes to live in Brooklyn as the wife of a Palestinian man whom she
barely knows, and her daughter Deya. A
third woman, Isra’s mother-in-law, Fareeda, is a powerful factor in both
women’s lives. The gist of the story is
that Arab-American women live in almost complete subjugation to their
husbands. They do not go out alone, they
do not speak English, they are discouraged from pursuing education, and they
have no job skills that would help liberate them from unspeakable
oppression. When Isra’s husband starts
to beat her into submission, although actually she is already pretty submissive,
for the crime of having produced four daughters but no sons, her story becomes
almost unbearable. Even more depressing
is the fact that other women, including her mother-in-law, turn a blind eye to
the abuse, and Isra’s mother is complicit in perpetuating the plight of her own
daughter by having forced her into an early and ultimately dangerous
marriage. The gloomy prospects for these
women makes for a predictable, frustrating, and repetitive read. Also, this novel contains a few grammatical
errors that a decent editor should have caught.
I can understand such errors in the dialog, although most of the dialog
in this case is in Arabic, in theory, and translated for our benefit, but they
are especially annoying in the prose narrative.
All that aside, life for these women is not that different from those
living under Taliban rule in Hosseini’s A
Thousand Splendid Suns. I
am disheartened to know that many Palestinian-American women, despite living in
the U.S., will not escape their repressive and abusive culture.
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