The Turner family consists of an elderly, ailing mother
Viola and her thirteen grown children.
Patriarch Francis is deceased, but the novel has frequent flashbacks to
his early move to Detroit, leaving his wife and their first child Cha-Cha behind
in Arkansas until he could get settled.
Drifting from job to job during this period and having an affair with
his landlady, Francis seems unlikely to father twelve more children with
Viola. The author keeps us in the dark
until the very end of the book as to how and when he reunites with Viola. In the present, Cha-Cha and his youngest
sibling Lelah occupy most of the novel.
Cha-Cha is now the defacto patriarch, and he has a dilemma. The family home is in a rough neighborhood
and is worth only a tenth of the balance of the mortgage. It’s 2008, and the most reasonable solution
is to short-sell it, perhaps to someone close to the family. Lelah, however, unbeknownst to her siblings,
is living in the house, having lost her job and her apartment due to her
gambling addiction. She’s quite a
pathetic character who feels the call of the roulette table, even while she is
living in her car. When she finally has
a supremely lucky day in the casino, I just felt that the positive
reinforcement ensured that she would never straighten herself out, and I didn’t
like this aspect of the plot. It’s not
that I wanted to punish her with another bad day of losing, but I felt that she
wasn’t going to get help until she hit rock-bottom. Now back to Cha-Cha. He saw a ghost in his bedroom as a child, and
the ghost has reappeared or perhaps been around all along. No one, including his shrink, believes
Cha-Cha or takes him seriously, and he refuses to believe that the ghost is a
hallucination. His growing torment over
the ghost becomes an obsession that starts to erode his work life and personal
life. I wasn’t wild about the author’s
resolution of this situation, either. This
book has a lot of characters, given that the Turner family is rather large, but
most of them are glossed over, and the most mature of the fleshed-out
characters is freaking out over a ghost.
I’ll remember this novel mostly for the use of the word “haint.”
Wednesday, February 24, 2016
Wednesday, February 17, 2016
HEART OF PALM by Laura Lee Smith
Utina, Florida, is a fictional town between Jacksonville and
St. Augustine. Since I live in the
vicinity (just across the intracoastal), I relished the references to familiar
places. However, I found the plot and
characters a little too clichéd, and the prose struck me as a little too
folksy—like Joshilyn Jackson, maybe. The
Bravo family (what a name!) is full of
mischievous but charming boys, starting with Dean, who woos the beautiful, Arla
Bolton, convinces her to marry him, and then chops up her foot in a
water-skiing accident on their honeymoon.
Arla has certainly married beneath her social status, and now she has to
walk with a cane. Fast forward to 40-odd
years later. Arla’s son Frank, the
conscience of the novel, is in love with his brother Carson’s wife and dreams
of relocating to an out-of-the-way spot in the North Carolina mountains. His opportunity arises when an Atlanta developer
offers millions of dollars for the family property. The tragic death of Frank and Carson’s
brother Will at the age of fifteen still looms over the family and prompts Dean
to abandon them not long after Will’s death.
To me, this novel descends into soap opera territory, and I found it
neither funny nor engrossing, and the ending left me disappointed. Also, I think it propagates the stereotype of
Southerners as mean, drunk, or stupid. Frank,
Carson, and Dean all share some responsibility for poor Will’s demise, but
their guilt, especially in the case of Carson and Dean, just drives them to
behave badly, rather than to earn some level of redemption by changing their
wicked ways. Frank, on the other hand,
has two nicknames—Saint Frank and Frank the Prank. I get the first one, because he is the caring
and responsible one, but I’m not sure what the author had in mind with the
other nickname. Sure, he likes to pull
the occasional practical joke, and maybe the author just wanted to give Frank a
little more personality. He’s bighearted
enough to bail an acquaintance named Tip out of jail, but Tip is back in the
slammer before you know it. I rooted for
Frank all the way, but he was still your basic doormat.
Wednesday, February 10, 2016
REMEMBER ME LIKE THIS by Bret Anthony Johnston
This novel opens with the discovery of a body. Is it that of Justin Campbell, who
disappeared 4 years ago at 11 years old?
No, because a flea market vendor recognizes Justin from numerous flyers
papering the town. He returns home to
his parents, Eric and Laura, and younger brother Griff, and his abductor is
arrested. The family handles Justin with
kid gloves, never delving into his life as a captive, as they begin to dig out
of their grief-stricken lives. They are
all more than a little apprehensive certainly about what unspeakable torture
Justin may have suffered but experience even more anxiety about whether he
might want to return to that life. Justin’s
therapist has warned the family members about Stockholm syndrome and that
prying may do more harm than good. Griff,
however, as Justin’s only real sounding board, besides his therapist, gleans a
little more info than his parents do. Also,
Griff has harbored a secret burden of guilt since Justin’s disappearance,
because an argument kept him from accompanying Justin on that fateful day 4
years ago. The giddy euphoria of
Justin’s return is short-lived for the family, as developments in the criminal
case bring on a new cloud of foreboding and the sense that things may be too
good to be true. I really liked this
book, and I would have loved it if some activities near the end hadn’t seemed a
little out of character and not quite up to the level of the first ¾ of the
novel. I also would have appreciated a
little more insight into the actions of Dwight Buford, the abductor, but
perhaps the author didn’t feel he could really get into the head of such a
character. Or perhaps the author didn’t
want to sully this story of family mending with too much unspeakable evil. Overall, the novel was gripping without being
overly sentimental.
Wednesday, February 3, 2016
ALL I LOVE AND KNOW by Judith Frank
Daniel’s twin brother Joel and Joel’s wife Ilana have just
been killed in a terrorist attack on a coffee shop in Jerusalem. Knowing that they lived in a perilous region,
Joel and Ilana had told Daniel to take their two children, Gal and Noam, back
to the U.S. if anything ever happened to them.
Daniel and his partner Matt, along with Daniel’s parents, travel to
Israel to identify Joel’s body and mourn with Ilana’s parents, both of whom are
Holocaust survivors. The will grants
Daniel custody of the children, as expected, and both sets of grandparents are
shocked and hurt. Then everyone learns
that the Israeli government may not release the children to the care of a gay
couple in the U.S. This novel has more
than enough thought-provoking conflicts to go around, including some between
Daniel and Matt, and the backdrop of the Israeli-Palestinian conflict makes
their world seem to be a pretty volatile place.
Six-year-old Gal is a handful--bratty and difficult to manage--taking
her cues from the bewildered adults around her, while Noam, not quite a year
old, may have a developmental disability.
Daniel cannot come to terms with his own grief and refuses to seek
help. He struck me as petulant and sometimes
impulsive as he grapples with his brother’s legacy and seeks the best situation
for the children. Matt, whom I liked
much better, becomes increasingly more exasperated with Daniel, who is no
longer the same man he chose as a partner 4 years ago. Nothing seems to be easy for these two men,
and after a particularly disturbing incident, this novel’s world became one
that I did not want to inhabit any longer than necessary. I found myself either wanting to slap some
sense into Matt and Daniel or give them a hug.
The ending came as a relief, although I would have liked closure on a
few unresolved issues.
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